Wednesday, October 28, 2020

20 Horror & Thriller Movie Moments That Scared The Sh*t Outta Me As A 80s Kid



Well folks, once again Halloween is coming up. That time of the year where everything scary and spooky comes out to play. 

As a Gen-X kid growing up in the 1980s, I used to watch horror movies with my parents and grandparents -- ironically none of whom seemed to have a problem letting me watch them, although I was told more than once to cover my eyes at certain parts that included nudity and sexual scenes. Usually I never did though as I sat there peeking through my hands, and not really seeing the big deal at the time. It wouldn't be until about 1990 when I turned 14 that sex would be of any real interest to me. Prior to that the sex stuff in slasher films to me was just weird grown-up crap before the "good stuff" happened. 

No, I wanted to see the scary stuff, not the filler, dammit!

I apparently had some really cool adult figures in my life as a kid if they let me watch slasher films like the Nightmare on Elm Street and Friday the 13th movie franchises, or they had a much higher opinion of my nerves and ability to deal with scary images than many other parental figures did.


And boy did I see plenty of messed up things! 
 
Some of them were things that ended up staying with me for a very long time; days, sometimes even weeks after I watched them. A couple of these things, I believe, gave many kids who grew up in the 80s and 90s some serious childhood trauma. 
 
Now, obviously there are plenty of scary films made in the 1990s to the present that are pretty good -- although, in my opinion, many of them rely too much on just jump scares alone rather than building up suspense and any true sense of menace. Maybe my perceptions of what constitute scary are different today? Perhaps horror movies of the 70s and 80s are the scariest because they use subtle psychological horror unlike the in-your-face CGI/makeup that modern horror movies use? Maybe society's perceptions of fear are different? Whatever the reason horror films today don't quite get to me the way they did back in the 80s and early 90s.

So today, in the spirit of Halloween, allow me to tell y'all about 20 of the most horrifying scary horror movie scenes that absolutely, positively, irrevocably scared the pure-T-sh*t outta me as a child of the 80s.

Counting down from least to best in terms of the effect these scenes and films had on me, here they are folks.



Warning: This list contains massive spoilers for these films!


(20) The Excorcist III (1990)  -- The Nurse Station Jump Scare

How about a little off the top?

Despite the fact the movie is, for the most part, the weird cousin of the Exorcist franchise; this is a brilliantly executed jump scare done in the best way from a cinematographic way -- thank you author and director William Peter Blatty (RIP)! 
 
The wide shot at the end of the hall looking at the nurse's station at the opposite end. The crackling of ice in a glass of ice water in the chapel that lures the nurse in, and the very effective red herring of the frustrated man whose sleep she unknowingly disturbed completely disarms the viewer by relieving so much built up tension. Then, we return to the original shot. The guards leave and the nurse shuts chapel door. Then she turns to walk away and them -- BOOM! Fast zoom in with loud musical sting that pierces the silence with all the force of a medieval battering ram. She's followed closely by someone possessed by the Gemini Killer in a white sheet armed with a very large cutting tool used for autopsies.
 
That haunting screech of sound when the demonic entity goes in for the kill is completely unexpected, and the headless statue in the next scene that lets you know what happened to the nurse....it's so simple and tasteful, yet so chilling.
 
Masterful and timeless cinematic execution. It made my heart jump out of my chest at age 13, and it still scares the pure-T-piss out of me.


(19) Jaws (1975) -- Ben Gardner's Head
 
My shark tooth!

One of my favorite jump scares of all time is the classic scene from Steven Spielberg's 1975 blockbuster film, Jaws based loosely on the book by Peter Benchley. 

The scene was actually an extra scene filmed after the original production was completed and shown to test audiences. Spielberg felt there needed to be one more scare, so he added the scene where fisherman, Ben Gardner's head pops out of the hole in the hull of his fishing boat, scaring both Richard Dreyfus's character, Matt Hooper, and pretty much everyone else in the audience who saw it the first time. The shot was actually filmed in a swimming pool with several gallons of milk poured in the water to give it the consistency of ocean water.

Between the tension that you feel knowing that Hooper's character is in the water where a man-eating shark with a body count of (at that point in the film) two people and a dog -- with the third about to be revealed -- and him finding a tooth "the size of a shot glass" in the hull of a clearly damaged boat; the suspense level is already pretty high. Then the moment when the head pops out of the hull at the same moment the soundtrack in the film blares out this short, piercing shrieking noise was enough to scare the hell out of most people seeing the film in the theaters.

Now this scene didn't actually scare me, but I did jump the first time I saw it. My mother, on the other hand, told me that she went to the theater when the film came out a few months before I was conceived and saw it with my dad. She told me that most of the theater, herself included, let out screams when the head popped out of the hole. 
 
I always smile whenever I remember her telling me that story.  

 
(18) The Amityville Horror (1979) -- Jodie At The Window

Peek-a-boo!

Now this film has more than just a few scenes that scared me: the sudden upside-down blackened cross, the terrifying gateway to hell basement scene, and of course the creepy voice telling the priest menacingly to "Get out!"

For this Southern boy of about 9 at the time, when I first watched this with my parents, the scene that really got to me was when actress Margot Kidder's character, Kathy Lutz, was told by the daughter: "You scared Jodie, she went out the window." Naturally, in true horror movie fashion, the mom goes to the window.... and is confronted by a pair of deep red eyes! 

Yeah, needless to say, that was an image -- as well as Kidder's frightful expression following it -- that stayed with me for quite a long time after I watched it.


(17) Whatever Happened To Baby Jane (1962) -- The Mirror Scene



This old classic is one that haunted me for a couple days the first time I saw it at age 11 at the request of my grandmother who introduced me to this tragic story of jealousy, abuse, and murder.

In the movie, former child star "Baby Jane" Hudson, played brilliantly by legendary actress Betty Davis, now a mentally-ill alcoholic living in the dreams of her glory days and in the shadow of her sister, Blanche (actress Joan Crawford), another former actress who achieved success before becoming a paraplegic. 

During one scene, Jane is dancing around in a room with several large mirrors, still living in her fantasy world of being a famous child star -- until she pauses to look at herself in the mirror. Seeing the old, alcoholic woman looking back at her through all her caked-on makeup and former golden curls of hair, Jane's face goes from joy to horror and she lets out this blood-curdling scream that frankly gave me chills so bad my stomach hurt.

Certainly not a moment that will leave your memory once you see it.


(16) Alien (1979) -- The Chestburster Scene

"FEAR ME HUMANS! FEAR ME!"


Probably the most iconic moment of the original Alien franchise film, I believe that this particular scene is on the list of many people who saw this film as a kid. It was a completely unexpected and frightening moment -- even to the rest of the main cast!

Yeah, fun movie fact folks, the director Ridley Scott didn't tell the cast that this was going to happen because he wanted to get them by surprise. And he did!

The cast was aware something was going to happen in the scene, but were not given the details, aside from three ominous words on the script: This thing emerges. The cast was completely taken by surprise when the blood and gore splashed out on everyone and the newborn alien creature special effect burst out of actor John Hurt's fake chest. The looks of absolute shock, disgust, and horror on the faces of the actors was very much real.

I didn't know this when I first saw the movie at age 7, or so. What I do know was that I covered my eyes and yelled. Needless to say I had a nightmare that night -- thankfully the details of that dream are lost to me know, but I do remember crying and my mom holding me until I drifted off again.

Thankfully about half a decade later director Mel Brooks released the 1987 sci-fi spoof Spaceballs showing a parody of that particular scene. That parody of the newborn alien -- again bursting out of John Hurt's chest (poor guy!) -- dancing and singing on the lunch counter of a space diner was enough to overwrite the childhood trauma I received from the original. Today I can watch the original no problem, but back in 1982....yeah, totally messed me up! 

"Hello my baby, hello my honey...."


(15) The Watcher In The Woods (1980) -- The House of Mirrors


"OMG! Is that a zit?!"


I first saw this movie when I was about 9 years old in school, and believe me this one stayed with me for a bit after seeing it.

In addition to seeing from the point-of-view of an unseen force watching a new family moving into a house from the nearby creepy woods, this unexpectedly terrifying Disney film gave an entire generation of young people in the early 80s a case of the shudders for one moment, or another.

The scene where Jan (actress Lynn-Holly Johnson) goes into a Hall of Mirrors at a local fair. Jan enters a room filled almost completely with mirrors and she sees her reflection over and over again all over the room. Then her eyes suddenly widen in terror when, in place of her reflection, sees the blindfolded Karen -- who has been haunting her since the beginning of the film -- reflected back at her over and over trying to plead Jan for help.

Later there is another scene where Karen's spirit can be seen laying in a coffin, still blindfolded.

Now being claustrophobic for at least as long as I can remember the idea of being trapped anywhere like, or say, behind a mirror, or inside a coffin, is totally gut-wrenching. The idea of being blindfolded at the same time is even worse!

Watching the young girl in the mirror pleading and holding out her hands in fright was enough to give me more than just a few shivers whenever I thought about it for a few years after that first showing.

On an interesting note, Betty Davis also played in this film as the creepy old neighbor lady. He portrayal including a scene where Jan nearly drowns trapped under some tree roots and Davis character seemingly trying to drown her, but turned out was trying to get her out from under the roots. D
rowning is also another mortal terror of mine, so that one gets half points. 


Double double toil and trouble....

Yeah, all around this film still manages to send a small shudder down my spine even after all these years. 


(14) Invasion of the Body Snatchers (1978) -- Matthew Shrieks

There's the one who farted!!!


Perhaps one of the most chilling endings in horror movie history is the final scene in the 1978 Philip Kaufman directed remake of the classic 1956 sci-fi horror film Invasion of the Body Snatchers. 

Invasion of the Body Snatchers is well known for its shocker of an ending: Veronica Cartwright’s character, Nancy Bellicec, crosses paths with Donald Sutherland’s Matthew Bennell character and confides in him that she is still indeed human -- only to discover that he has ultimately succumbed to the pod people. He then points at her while delivering that infamous pod shriek. 

I don't remember exactly when it was I first saw this movie (I know I was less than ten at the time) but the combination of the look on Sutherland's face, the shriek, and Cartwright's horrified reaction still send a chill down my spine today.
 

(13) Rosemary's Baby (1968) -- He Has His Father's Eyes



One scene that still sends a chill down my spine to this day is the climactic scene at the end of director Roman Polanski's Rosemary's Baby where Rosemary see's her child and learns of his true parentage -- the Devil himself. The way the camera pans around her as she turns to all of the maniacal people in the room proudly proclaiming their loyalty to Satan. It helps the viewer feel the same frantic chaos as Rosemary. 

The fact that we didn't see the baby's eyes, or his face, and leaving it up to the viewer's imagination, was a much better choice on the part of the director than some cheap jump scare. Imagining what could bring such a look of complete and utter terror to Rosemary's face is scary enough. Nothing can be more frightening than the demons we conjure up in our own minds. 


(12) Damien: Omen II (1978) -- The Crow Killing Scene 

Nevermore!

Speaking of the son of the devil, the next place entry on this list is another one that I had a very hard time getting out of my mind after I first saw it at a young age -- the terrifying death of female reporter named Joan Hart (actress Elizabeth Shepherd) at the hands of a demonic raven in the second movie of the Omen series.

After seeing the teenage Damien and realizing he is the future antichrist (in another scene that is jarring, both with the musical score and her terrified reaction), the reporter attempts to flee, only to end up stranded on the road as her car stalls due to demonic powers that seemingly protect Damien's continued existence. The creepy bird appears as she is stranded on the road and attacks Joan by brutally pecking out her eyes and blinding her. She is then killed by a semi-truck after wandering blindly into its path with two empty and bloody holes where her eyes were.

If you are scared of birds, or the idea of being blinded, this scene will definitely keep you awake for more than a few nights. 


(11) Poltergeist (1982) -- The Possessed Evil Clown Doll

Come under the bed, Robbie! We all float down here!

Nearly a decade before actor Tim Curry brought to life Stephen King's evil clown Pennywise in the two-part television 1990 mini-series version of IT, another clown gave many kids from my generation nightmares: the unnamed creepy clown doll that terrified Robbie Freeling (actor Oliver Robins) in Poltergeist.

There are actually several scenes in this movie that gave me the creeps, but the scene at the climax of the film where Robbie is viciously attacked by the now possessed clown doll that sat starring at him terrified him from a chair across from his bed throughout the movie is probably one of the movie's most talked about and remembered scenes -- and one that utterly shocked a then 8 year old me the first time I saw it. 


This scene definitely pushed a lot of night terror buttons in young people from my generation. One cannot read a review of this film without someone mentioning this scene and the horror it brought them in particular. Some people even specifically site this scene as the beginning of their lifetime phobia of clowns.

Like Mel Brooks did for the chestburster scene in Alien, a generation later, the 2001 comedy horror spoof film, Scary Movie 2, provided another take on the version of the creepy clown doll -- only this time the roles reversed on him in a somewhat hilarious and deeply disturbing way. 


Thank you Wayne's Brothers!


(10) Something Wicked This Way Comes (1983) -- Library Scene 


"And then Buffy staked Edward...."

Like The Watcher In The Woods, Disney offered up another terrifying bit of nightmare fuel for younger 80s kids in the form of another dark fantasy film, this one based on a 1962 novel of the same name by author Ray Bradbury, who wrote the screenplay for this film.

Some of us can agree that carnivals have their own creepy vibe to them. But when Dark's Pandemonium Carnival arrives late in the year, and sets up a matter of moments in a really terrifying sequence; it offers the people of the small town of Green Town, Illinois their deepest desires and temptations in exchange for their souls. This creepy take on Ray Bradbury's novel does not hold back on the terror; even if
the scares are all over the place at times.

What could it tempt you with? With whatever you wanted the most, of course.

In the case of actor Jason Robards' character, Charles Halloway, an aging small-town librarian with a young son, what he wanted the most was life and youth -- two things his character worries are slipping away. The challenge set him is a difficult one. If he can resist that temptation, he can redeem the whole town, and protect his son, Will, from being taken by the evil Mr. Dark, played brilliantly by actor Jonathan Pryce.

Of course, it’s Charles’ insecurity that Mr. Dark preys on, tempting him with youth over and over again. In one of the most memorable scenes, he walks through the library stalking Charles, ripping out pages of the book on the town’s history as he offers Charles various years of his life back in exchange for his son and friend, who are hiding in the library. 


The intensity of this scene always shook me whenever I watched this moment. Almost as scary is the quiet and suspenseful game of cat and mouse played by Mr. Dark as he hunts down and catches the two boys a moment later.

 
(9) Race With The Devil (1975) -- Ending Scene


This was actually one of the first films to truly terrify me as a kid. As an adult it still makes me wary of going off-road onto hidden paths. Once I even remarked on that to a girl I was seeing at the time when she pulled her van off to a private area one late evening. I mean, you never know when you will accidentally run into a satanic cult and be endlessly stalked by said cultists. 

From the moment two hapless couples are caught seeing what they shouldn't have, the creepy vibe in this film comes from the fact that our four main protagonists are unaware of how far this killer cult goes and whom to trust as they try to escape it. From all the creepy sideways glares from strangers on the streets, their dog being killed and hanged, to rattlesnakes showing up in their RV, our terrified heroes quickly adopt the DTA (don't trust anyone) approach -- and ultimately end up being right.

There is no dark magic, no supernatural monsters. The evil around them comes in the form of seemingly everyday, normal-looking people.


After nearly an hour and a half of watching the two couples escape a network or small-town cultists chasing them through the desert, including one really intense car chase, the nightmare seems to be over at last as they pull over due to damaged headlights and celebrate their escape -- only to have the film ending with the couples hear the cultists chanting outside and light a ring of fire around the RV, trapping them inside while the chanting continues. There is no salvation for them as just about everyone they encountered in the film ends up being a part of the satanic cult.

Watching this terrifying ending made me first realize that not all films always have a happy ending. The same thing with the real world.


(8) Friday The 13th -- Swamp Boy Jason Jump Scare



The Friday The 13th movie franchise is probably one of the most iconic slasher film genres. One cannot think of horror films without a reference to the hockey mask wearing, machete wielding Jason Voorhees....except it didn't exactly start out that way.

Hardcore horror fans know that it was in fact Jason's mother, Pamela Voorhees (played brilliantly by actress Betsy Palmer) who was the original killer in the first film. Jason himself didn't show up until the 1981 sequel, Friday The 13th Part 2. 

Actually no, that is not entirely true. Jason did in fact make one very brief, but certainly unforgettable mark in the original Friday The 13th.

Having decapitated the murderous Mrs. Voorhees, surviving camp councilor Alice (actress Adrienne King) boards and falls asleep inside a canoe, which floats out on Crystal Lake. Just as she wakes up the following morning, a young Jason pops up unexpectedly out of the lake and attacks her. She later awakens inside a hospital with the local sheriff deputy and hospital staff tending to her. When Alice asks about Jason, the officer says there was no sign of any boy, leaving a shocked Alice to say quietly, "Then he's still there." as the eerie lake is shown at peace.


Even today, first time watchers of the original Friday The 13th react with complete shock whenever the young Jason pops up out of the lake. I don't think anyone who was a child in the early 1980s will ever forget that particular introduction to one of slasher horror films most iconic killers. 


(7) The Bad Seed (1956) -- Christine's Horrifying Realization 


What else can be said about this 1956 classic about the original evil kid, Rhoda Penmark, except that this adaptation is brilliantly written and directed. There are no jump scares, no gore, or even any onscreen killings -- even though we do hear Leroy the groundskeeper roast to death.

No, what scares us the most about The Bad Seed is how this psychological thriller keeps our attention with a building suspense as Rhoda's troubled mother, Christine, (played brilliantly by actress Nancy Kelly) begins to suspect her perfect daughter, Rhoda, (Actress Patty McCormack) committed murder just to gain possession of a medal she felt she was denied. The buildup of suspense as we learn more and more about Rhoda's strange psychology, and Christine's descent into the dreadful realization that her daughter may be a murderer, keeps those watching on the edge of their seats wondering what will happen next.

The Bad Seed was likely one of the very first films to explore the topic of genetics and heredity being a factor in insanity. Patty McCormack's outstanding performance as the psychopathic child serial killer, Rhoda, is one of the most iconic in movie history.

Perhaps the most chilling moment in the movie comes about halfway through when Christine
talks with her father, confronting him about a confusing dream/memory that has long haunted her since childhood. Her father finally reveals that he is not her biological parent, that she was adopted by him and his wife.

Already upset, though not shocked by this revelation, Christine's retelling of her dream, a repressed memory resurfacing, leads to the horrified realization that she is actually the daughter of a notorious serial killer. The freakout that follows is gut-churning in its delivery.

This moment still makes me want to get up and leave the room until the scene is over. The horrified look on Christine's face and her emotional collapse following the revelation of her true parentage and what she might have passed onto her daughter, is one of those terrifying moments that never quite goes away after you watch it.


(6) The Thing (1982) -- The Dog Kennel Scene


If you are a dog lover, like I am, then this next one you might wanna skip.

John Carpenter's remake of the 1951 classic The Thing From Another World has more than its share of gruesome and terrifying moments. None more so than the infamous dog kennel scene.

After rescuing and kenneling a seemingly innocent sled dog, the other dogs go crazy realizing that it is no dog. The alien creature soon metamorphoses and starts to absorb the station dogs in a very gruesome way. This disturbance alerts the rest of the polar team and actor Keith David's Childs' character uses a flamethrower to incinerate the Dog-Thing creature.


As a really young kid, I had to cover my eyes at this part because I hated seeing the dogs being killed by the creature. Obviously I know now that no animals were actually harmed and that the creature in the movie is a very well done practical special effect. Still, every time I watched this scene to this day I am reminded of how I felt that day in 1983, at the tender age of 7, when I first saw this horrifying moment with my parents. 


(5) Halloween III: Season Of The Witch (1982) -- Ending Scene

Turn that commercial off! I can't stand hearing that f*cking
Silver Shamrock song anymore!!!


When Halloween III: Season of the Witch first came out, it angered many franchise fans by excluding the now legendary slasher film character Michael Myers. In the years since, it has developed a cult following as more and more fans have come to realize how awesome the film really is. It’s truly a unique standalone film with an ending that’s probably freakier than any of the other flicks in the series.
 
In the closing moments of the movie, Dr. Challis (actor Tom Atkins) races to get a special Halloween broadcast taken off the air. If allowed to play, millions of children watching it wearing their special evil magical stone fused Silver Shamrock mask will die an absolutely horrifying death -- which the audience was introduced to earlier in the film. 

Yeah, I was eating popcorn the first time I saw this part too.

His only hope is to convince the TV station managers to cut the broadcast. Though he manages to get it removed from two channels, it remains playing on a third, with the film ending with a horrified Challis screaming for them to stop it.

Oh well, if anything those who died were spared ever having to listen to that creepy Silver Shamrock song again. The rest of us aren't so fortunate.



(4) Twilight Zone: The Movie (1983) -- Do You Wanna See Something Really Scary?

Eh, I've seen worse.

One of the first really scary scenes I ever watched that truly kept me up at night after seeing it was the famous opening scene of Twilight Zone: The Movie, a four part anthology movie based on the original 1959 television series.

Two men are in a car driving along a lonely country road late at night. The conversation turns to what episodes of The Twilight Zone they found most scary. The passenger then asks, "Do you want to see something really scary?" and says to pull over. He turns into a monster and attacks the driver.

As horrifying as listening to actors Dan Aykroyd and Albert Brook singing along with "Let The Midnight Special" by Credience Clearwater Revival in a car was moment before, that little jump scare was enough for 8 years old me to keep the lights on at night for days after seeing it.

Strangely the rest of the movie didn't bother me at all.


(3) Creepshow (1982) -- I Want My Cake!

"Where's my cake! I want my cake!"

Speaking of horror anthology films, I don't think there is a single member of my generation of 80s kids who didn't develop some form of night terror after watching the first Creepshow anthology movie.

Every story in the movie Creepshow is pretty damn terrifying. This movie has it all: walking corpses, killer cockroaches, a guy turning into a plant, and creepy monsters in hidden crates. Add to that an outstanding cast of actors leading each story and you have one of the best things that 80s horror ever produced.

The sequels, not so much.

Out of all the stories, the first story, Father's Day, written by Stephen King, is the one that really REALLY made me afraid of cemeteries for a very long time as a kid, where the rotting, maggot-infested corpse of the family patriarch comes back from the dead and slowly kills the daughter who drunkenly confesses to having killed him years before.

I saw this when I was 7, so it was a couple of years before I ever got out of the family car whenever we visited dead relatives at the cemetery. 


(2) John Carpenter's Prince Of Darkness (1987) -- All The Dream Sequences 



"This is not a dream. Not a dream. We are using your brain's electrical system as a receiver. We are unable to transmit through conscious neural interference. You are receiving this broadcast as a dream. We are transmitting from the year one, nine, nine, nine. You are receiving this broadcast in order to alter the events you are seeing. Our technology has not developed a transmitter strong enough to reach your conscious state of awareness, but this is not a dream. You are seeing what is actually occurring for the purpose of causality violation."

This cult-classic horror film
directed by John Carpenter is perhaps best remembered by 80s and 90s kids for this eerie dream sequence which includes an ominous, static-filled message and a weird visual scene where a shadowy, demonic figure is seen emerging from a church. The hazy transmission, which resembles a fever dream formed from VHS-static and disorientating camera moves. This scene changes slightly with each occurrence of the dream throughout the film, revealing progressively more details to the dreamer. The deeply distorted narration of the transmission each time instructs the dreamer that they are witnessing an actual broadcast from the future, and they must prevent this possible outcome from happening.

To create the surreal, otherworldly look of the transmission message from the future, Carpenter first shot the sequence on video, then filmed it from a TV set. The end result looks appropriately nightmarish. It feels like a genuine nightmare.

Despite the weird premise, this film is, in my humble opinion, one of his most underrated in terms of delivering sheer terror. This scene alone was chilling and even today, has a seriously dark and ominous feel. The demonic, silhouetted figure moving his arms a bit is terrifying as hell. Today it would be a CGI demon or something that looked ridiculous and probably cost about $2 million to animate.

Thank you for the nightmares, Mr. Carpenter!


(1) Salem's Lot Miniseries (1979) -- The Jail Scene 

Peek-a-boo!

 
I am now 44 years old and this movie/mini-series still terrifies me as much now as it did when I first saw it in 1982 at age 7. The two-part miniseries based on the novel of the same name by Stephen King probably stole more sleep from me as a child than any horror character in existence.

Holy shit this movie scared the f*ck outta me!
 
Long before garbage like Twilight when vampires became sparkly emos attracted to frigid teenage girls with no personality, they were portrayed as truly frightening undead monsters.
 
Actor Reggie Nadler's horrifying vampire character, Kurt Barlow, has a terrifying look that serves as an outstanding nod back to the classical vampire style of Count Orlok's Nosferatu. With the possible exception of the former, he's probably the most scary looking vampire put to film. Ghastly, unsightly, and just evil as hell to look at -- this is what a vampire is supposed to look like folks!
 
Mr. Barlow is introduced to us in Salem's Lot in the now infamous jail cell scene where he unlocks the cell door with the wave of his hand and suddenly appears to the sleepy occupant with a jump scare that's timed perfectly with the sudden high-pitched blaring of the soundtrack. The man is so terrified he is scared beyond the ability to scream. The look on his face is priceless in its sheer terror.

Seven year old me was sitting close to the television watching this with my parents. When Barlow jumped up, I was so terrified I hugged my legs, buried my face in my knees, and screamed. My parents also jumped, which didn't make me feel any better at the time. The rest of the movie: flying vampire kids, crosses burning into skin, and the staking scene in the old house -- all of which kept coming back to my mind over and over again long after seeing this miniseries. It terrified me so bad, I didn't watch it again until I was about 17, and even then some of the vampire effects still creeped me the hell out.

Today, knowing what I know about the making of the scene, I can appreciate it for what it is and how it was filmed, but I will never forget my initial reaction to meeting the master.

So tell me, what did y'all think of my list? If y'all grew up in the 80s and 90s please let me know in the comments sections what horror movie moments scared y'all as kids.

Have a wonderful Halloween weekend, and y'all come back now, ya hear!

Thursday, October 15, 2020

The Life Of Sergeant Berry Benson C.S.A. (1843-1925) -- The Man On The Monument

Berry Benson as a private in the
1st South Carolina Infantry Regiment
taken in 1861.

The Augusta Confederate Monument currently located in the median of the 700 block of Broad Street in downtown Augusta, Georgia. Dedicated in 1878 to honor the Confederate dead, this Confederate monument soars seventy-six feet into the sky, and around the base of the monument are the life size statues of four Southern generals in the War Between The States: Thomas R. R. Cobb,
William H. T. Walker, Thomas J. "Stonewall" Jackson, and, of course, Robert E. Lee.

Towering above them all atop this memorial for the dead is another life-sized statue or a simple Confederate citizen soldier, the life's blood of the South's fight to maintain its fledgling independence.


Referred to as "the man on the monument" by local residence, the Confederate soldier that stands his post on top of the Augusta Confederate Monument is modeled after another local resident born across the Savannah River in South Carolina: Confederate Veteran First Sergeant Berry Benson, a man who had a very remarkable history both during the war and in the years after it.

Berry Greenwood Benson was born on Thursday, February 9, 1843 in Hamburg, Aiken County, South Carolina, just across the Savannah River from Augusta, Georgia (near modern-day North Augusta, South Carolina).

Berry Benson was the son of Abraham Madison Benson and Nancy Harmon Benson.


In 1861, at age 17, Berry Benson enlisted with his brother, Blackwood Ketchum Benson (age 15) in the 1st South Carolina Regiment Infantry Sharpshooters under Colonel Maxcy Gregg. The next spring the two brothers witnessed the bombardment of then U.S. military-occupied Fort Sumter in Charleston, South Carolina on Friday, April 12, 1861, where the War Between The States began.


After the surrender of Fort Sumter, the 1st S.C. Sharpshooters were sent to the front in Virginia where the Benson brothers served in General Lee's Army of Northern Virginia under General A.P. Hill and General "Stonewall" Jackson. The unit served as part of Jackson's "foot cavalry" during the 1862 Valley Campaign and later fought in battles such as Second Manassas, Fredericksburg, and Sharpsburg. Benson was wounded at the Battle of Chancellorsville and missed the Battle of Gettysburg, b
ut he had recuperated by winter 1864 and returned to his unit where he was appointed as a scout and joined the regiment's sharpshooter corps.

May of 1864 would bring yet another Union offensive into
The Wilderness.

After a confusing and bloody battle, Union Lieutenant General Ulysses S. Grant's Army of the Potomac, attempted to get around the Confederate army and march on Richmond, Virginia, but was checked at the Battle of Spotsylvania Court House, one of the most terrible battles of the Civil War, in which the most severe action occurred at the "Bloody Angle," where Sergeant Benson fought.

By then the young soldier had won a reputation for scouting enemy positions.
At Spotsylvania he spied on the Union camp and, on an impulse. stole a Yankee colonel's horse, leading it back to Confederate lines. 

 
It was on one of these reconnaissance missions that he was captured and imprisoned at the military prison in Point Lookout, Maryland. 
 
On the second day of his captivity, Benson slipped unseen into the waters of Chesapeake Bay and swam two miles to escape, but unfortunately for him he was recaptured in Union-occupied Virginia. He was then was sent first to the Old Capitol Prison in Washington, D.C., then to the brutal Union prison camp at Elmira, New York. Once there he joined a group attempting to tunnel out but the effort was discovered and broken up. 
 
The prisoners tried again and on Friday, October 7, 1864 at four o'clock in the morning he and nine companions entered a tunnel sixty-six feet long which they had been digging for about two months. The earth extracted had been carried away in their haversacks and disposed of in the prison courtyard. On reaching the outside of the stockade the prisoners scattered in parties of two and three, Sergeant Benson going alone, since the companion he had intended to take with him failed to escape. 
 
He headed south and miraculously reached Confederate lines. Sergeant Benson, half a century later, still preserved the passes given him from New Market, Virginia, where he first reached General Jubal Early's army, to Richmond and the besieged city of Petersburg, where his regiment was serving. 

Benson would continue to serve with the Army of Northern Virginia until the surrender at Appomattox Court House on Sunday, April 9, 1865. Benson and his brother, Blackwood, left carrying their rifles to go to North Carolina and join General Joseph E. Johnston's Army of Tennessee and continue fighting, but upon learning of the surrender of Johnston at Bennett Place, near Durham, North Carolina on Wednesday, April 26th, Benson and his brother walked home, arriving on Monday, May 15, 1865. 
 
Berry Benson never surrendered his rifle.
 
On Saturday, February 6, 1868, Benson married his wife Jeanie Oliver at Augusta's First Christian Church. The couple would have six children: Ida Jane, Olive, Pauline, Arthur, Charles, and Dorothy. He and his wife wrote poetry for publication, and his wife and daughters were all fine pianists. One of his daughters, Ida Jane "Jeanie" Benson, studied violin in New York and became a concert performer.
 
In 1878, Benson became an officer in the Confederate Survivors Association. That same year the Augusta Confederate Monument was dedicated. A committee appointed by the Augusta Ladies Memorial Association, consisting of former Confederate Colonel George W. Rains, Major Joseph B. Cummings, and Lewis D. Ford, choose Sergeant Berry Benson to represent the common citizen soldier of the South. The statue was modeled after Benson. 
 
In 1883, the Benson family moved to Texas, but returned to Augusta two years later.
 
Benson became an accountant for the local cotton mills and he developed and patented a fail-safe method for checking and correcting accounts that he called the Zero System. 
 
During that time, Benson showed a strong advocacy for the working class, both white and black.
 
In 1898, he became an advocate for striking cotton mill workers helping to end a strike where more than 30,000 textile workers walked off their jobs. He also worked on developing high-protein food crops for poor black sharecroppers.  
 
Benson also became a nationally known puzzle solver, breaking a secret French code known as the "Undecipherable Cipher" in 1896 on a challenge and informed the U.S. War Department that he had done so. 
 
During the Spanish-American War Benson offered his services to the United States Government, but the war ended before he could be of use.
 
He was perhaps best known for his role and private investigation into the case of Leo Frank, an Atlanta factory manager accused of raping and murdering 13 year old Mary Phagan in 1913. 
 
Benson became involved in the case through his childhood friend, William Manning Smith, the defense attorney for James "Jim" Conley, who was also accused. Perceiving discrepancies in prosecution testimony Benson concluded Frank was innocent. His logical arguments helped persuade then Georgia Governor John M. Slaton that there was enough uncertainty in the case to commute Frank’s sentence from death to life imprisonment. Unfortunately that did not prevent the subsequent lynching of Mr. Frank.

75 year old Sergeant Berry Benson with his rifle leading the United Confederate Veterans (UCV)
reunion parade in Washington D.C. in 1917.
Benson remained proud of his Confederate service till the day he died.


 
Sergeant Berry Benson at the
Washington D.C. Confederate Veterans
reunion parade 1917.
(Colorized Photograph)

Later Benson headed a campaign to support French war orphans in World War I. The Benson family "adopted" (fostered) at least five French orphans by agreeing to pay for their care until they were formally adopted. He convinced his friends and neighbors to adopt some of these orphans. The French ambassador sent him an official thanks for his efforts, which had benefited 160 orphans in all. 

Berry's involvement with French orphans got him involved in yet another adventure. In exchanging American dollars for French francs, he noticed discrepancies by the fall of the franc's value. He later advised the U.S. attorney general of the possibility of fraud involving European and American fiscal exchange rates before the world became aware of the criminal activities of Charles Ponzi. 

Even in advanced age Berry Benson remained fit and active, never losing his love for the outdoors. 
 
On Sunday, May 1, 1921, the local Boy Scout Troop based in Augusta's Sacred Heart Church announced plans for a fifteen mile hike led by Benson. As part of the outing, Berry and the boys camped overnight and Berry took an early-morning swim in cold water. At age 78, Berry was the youngest scout of all. 

In addition to serving as a scout leader, Berry Benson also attended United Confederate Veterans reunions and took part in parades wearing his old gray uniform and carrying the un-surrendered rifle he toted throughout the War. 
 
His last parade was on Thursday, June 22, 1922 in the Richmond, Virginia, where the aged Confederate sergeant led the Georgia battalion. He remained a proud Confederate Veteran till the end.

Berry Benson spend the last years of his life at his North Augusta residence with his daughters Ida Jane (Jeanie) and Olive -- neither of whom married -- and passed away on New Year's Day, Monday, January 1, 1923 at the age of 79. His wife Jeanie died in 1900. Both Benson and his wife are buried at Sunset Hill Cemetery in North Augusta, South Carolina. 
  
The Sgt. Berry Benson Camp #1672 Sons of Confederate Veterans in North Augusta bears his name. 
 
The grave and Confederate Cross of Honor
of Sergeant Berry Greenwood Benson
at Sunset Hill Cemetery in North
Augusta, South Carolina, USA.

His daughter-in-law, Susan William Benson, edited his memoirs which were published as Berry Benson's Civil War Book: Memoirs Of A Confederate Scout And Sharpshooter (Athens: The University of Georgia, 1962) ISBN-13:978-0-8203-2943-7 from which the information in this article was gleaned.

Tuesday, October 06, 2020

Night Sky Photography -- 10-06-2020 -- Mars At Its Closest Approach To Earth


Good morning, fellow stargazers!

Earlier this morning, I took this photo of bright Mars moving slowly towards the western horizon. This month, Mars appears as the 4th brightest celestial body in the night sky after Venus because today, October 6 of this year, Earth and Mars are now closer together than they will be again for another 15 years.
 
At present Mars is only about 38.5 million miles from us -- that's actually close in terms of distance in space. Mars is only a week away (October 13th) from its opposition to Earth, or with Earth directly between Mars and the Sun. This happens once roughly every two years.
 
Because it is the forth planet in our solar system, Mars' orbit around the Sun takes 687 days in contrast to our own 365 days here on Earth, giving Mars a year that's nearly twice as long as ours.
 
Okay, I know what y'all are asking: why is Mars closer to Earth today and not a week from now when in opposition? The reason for this has to do with the the paths of the planet's orbits around the Sun.
 
Planetary orbits are not perfectly symmetrical circles around the Sun. All planets have elliptical, or oval shaped, orbits. Because of this planetary orbits have both an perihelion (closest point) and aphelion (farthest point) from the Sun. The planets also move in slightly different angles relative to each other based on both the gravity of the Sun, and on each other slightly.
 
Because the other planets pull on Earth -- and Earth on them -- the planet's orbits change slightly over time, in orientation and in shape. The biggest effect is that the orbit of a planet gradually shifts its orientation slowly over time.
 
Because of this moments of closest approach are fleeting as both Earth and Mars move in their orbits around the sun. Previous oppositions between the two planets have been closer -- the closest being the opposition with Mars in 2003 when the Red Planet was at 34.6 million miles distance, its closest approach to Earth in about 60,000 years (or 30,000 years for Mars)! Because of the orbits between our two worlds, subsequent approaches and oppositions will be slightly farther away for the next two centuries.
 
Also on the night of opposition (October 13th), Mars will actually appear at its brightest in the night sky from our perspective here on Earth. This is due to a neat little phenomenon called the Opposition surge. Already Mars currently outshines Jupiter, the largest planet in the solar system, and will for the rest of this year. 

Be sure to check out this year's opposition of Mars on the 13th as there will not be another one until Thursday, December 8, 2022, with the closest approach to Earth a week earlier on December 1st. 

Until next time have a wonderful Dixie day, and be sure to keep your eyes to the evening skies, y'all.

Sunday, October 04, 2020

Night Sky Photography -- 10-02/03-2020 -- The Moon & Mars Rising -- Venus & Regulus Conjunction In Morning Sky

 Good evening fellow stargazers!

Well folks, last evening and earlier this morning, I was able to capture some really outstanding shots of two conjunctions in the night sky taken over the course of a ten hour period, beginning after sundown on Friday the 2nd and ending just before sunrise on Saturday the 3rd of October. 
 
The still bright Full Moon (actually now it is a Waning Gibbous Moon at about 98 percent brightness) meets in the evening sky with the now bright planet Mars. I captured this shot of our bright Luna and the Red Planet rising over the treetops after sunset.



Next two shots I took later in the evening as Luna passed near Mars by less than a degree, or so, in the late night sky overhead. The first shot show the Moon and Mars as they appeared to the naked eye. The second shot is a close-up of Mars over the nearly full moon. Unfortunately, here in North America, we did not get to see the moon occult Mars, so this was about as close as the two heavenly bodies "met" in the sky here in South Carolina.




This final shot of the moon and Mars in the western sky was taken nearly seven hours later. As y'all can see, Mars is now below Luna and will continue to move farther away over the next several days as Mars eventually moves to its closest approach to Earth on the evening of Monday, October 5th.


The moon and Mars were not the only heavenly bodies close to Earth that were "meeting" in the sky dome.

Looking to the eastern sky again about an hour before the breaking dawn, I caught these two outstanding shots of bright Venus in the sky with the bright star, Regulus, appearing just above our bright neighboring planet by roughly half a degree. Regulus is the brightest star in the Constellation Leo The Lion.


 
 
The first shot is how I viewed them through the trees in my back yard -- Regulus is barely visible just above Venus. The second is a close up, showing the planet and the star together.

These two heavenly bodies won’t appear this close together again for another 8 years. 

 
Well my friends, I hope y'all enjoyed these photos as much as I continue to enjoy bringing them to y'all. Have a wonderful Dixie day, and be sure to keep your eyes to the night skies, y'all hear!

Thursday, October 01, 2020

Night Sky Photography -- 10-01-20 -- The Harvest Moon & Mars Rising

Greetings & Salutation, fellow stargazers! 

This evening the first of two -- count em! -- two October full moons rose in the east. The first full moon of autumn following the fall equinox (September 22nd) is also known as the Harvest Moon, named so because it dates back to the time before electricity when farmers depended on the full Moon's light to harvest their crops late into the night near the fall harvest season.
 
Here are the photos I took of the Full Harvest Moon rising over downtown Chester, South Carolina. The first shot is the risen full moon over SC Highway 9 in the east with the city street in the foreground. The second shot is a close-up of the Harvest Moon itself.
 

About an hour later I captured another shot of the risen Harvest Moon and Mars in the east. Here in the first photo y'all can see our beautiful full moon shinning against the clouds with the now visibly larger Mars glowing red nearby. In the second close-up photo, you can see all the visible landmarks on the Lunar surface, including the dark "seas" that make up the Man in the Moon, and Tycho Crater on the bottom left of the moon's surface.

 

This is going to be quite the month for planetary photography and stargazing, especially for The Red Planet as Mars reaches its closest approach to our Earth on the night of Tuesday, October 6th, and then reaches opposition between Earth and the Sun on Tuesday, October 13th. 
 
The second full moon in a month is referred to as a Blue Moon, even though Luna herself will not actually turn blue. The second full moon in October will fall of October 31st -- Halloween night! How cool is that! I'm praying for clear skies to get a great shot of this year's Halloween Blue Moon.

Well folks, I hope that y'all enjoyed my photos for the evening, please check back tomorrow night when I hope to capture another good shot of Luna and Mars meeting in the east after sunset.

Until then, have a wonderful Dixie day and be sure to keep your eyes to the night skies, y'all.