Monday, April 22, 2024

The Day The Earth Smiled -- Happy Earth Day!

Image Credit: NASA/JPL-Caltech/Space Science Institute.
 

NASA photo titled "The Day The Earth Smiled" shows our beautiful Earth as a bright blue star taken by the Cassini-Huygens space probe on Friday, July 19, 2013 from the orbit of the planet Saturn at a distance of approximately 753,000 miles (or 1.212 million kilometers) from Saturn, and approximately 898.414 million miles (or 1.445858 billion kilometers, or 85 light-minutes) from the Earth.

From that distance it truly puts into perspective just how blessed we are to be here and have a world suited for life. We should also remember to care for this world God gave us and treat the things that live on it with respect.

Happy Earth Day, Y'all!

Wednesday, April 10, 2024

Night Sky Photography -- 04-08-2024 -- The Visible Planets With Partial Solar Eclipse


It was a big day here in North America this week with the April 8th Total Solar Eclipse arriving this afternoon, appearing overhead in a line across the continent from Mexico to Canada.

Map showing the line of totality during the April 8, 2024 Solar Eclipse.
The Partial Solar Eclipse was visible throughout North America from Canada to Panama.
During a Solar Eclipse, the Moon crosses the path of the Sun casting its shadow on the surface of
the Earth.

During a Total Solar Eclipse, the deepest part of the Moon's shadow (the umbra) covers the narrow area of totality, while the lighter part of the Moon's shadow (the penumbra) covers the wider area where only a Partial Solar Eclipse can be seen.

Here in upstate South Carolina, those of us with the proper eye protection were only able to see about 75% of the totality, with the Moon's penumbra shadow casting down making the planets in our Solar System and some of the brightest stars visible.

On Monday, April 8th, I was able to capture one really beautiful image of all the visible planets of our Solar System between the Partial Solar Eclipse at its peak. It was a unique opportunity to see all of these planets in the daytime.

At present Venus is far too close to the Sun to be visible for the next few months, and Saturn and Mars are expected to pass each other on the mornings of Tuesday the 9th and Wednesday the 10th, but they are so low on the horizon before sunrise that its hard to catch them unless you live in an elevated place before the Sun blocks them out. Mercury can be seen low on the horizon just after sunset, but again you see a high place with no obstructions to really see it.

Saturday, April 06, 2024

Southern Fried Nostalgia & Fandom: Night Of The Lepus (1972) Movie Review




Today, in honor of this Leap Year, I thought I'd offer up my review of possibly one of the most so-bad-its-actually-kinda-good movies I've ever seen; the 1972 cult classic Night of the Lepus written by screenwriters Don Holliday and Gene R. Kearney, produced by A.C. Lyles, and directed by William F. Claxton

The film is largely based upon the science fiction novel The Year of the Angry Rabbit (1964) by Russell Braddon about an infestation of giant killer mutated rabbits. Yep folks, you read that right: giant killer mutant rabbits. Just y'all try to imagine being the person who went to the corporate heads of MGM Studios to pitch this story idea?!

Well, to be perfectly fair, the premise of the movie isn't completely bad. No, I'm actually being quite serious....okay okay, just hear me out folks!

The 1964 Australian science fiction novel that Night of the Lepus is loosely based on
with its comic-horror tone was very well received at the time -- the novel was also notable as being part of a small revival of 1960s Australian science fiction genre. The novel plays up the Australian rabbit infestation adding a fictitious, power-hungry Prime Minister using a super-weapon to try and dominate the world.

Night of the Lepus
-- which tries hard to be
Poster for Night of the Lepus (1972).
a straight-faced monster movie -- is about a similar rabbit infestation in a small Arizona farming community that threatens the local farmers. This premise
largely dropped the humor of the book and tried to make people afraid of rabbits.

Interesting fact: the promotional posters for the film and the movie trailer released by MGM didn't even attempt to let the audience know that the monsters in the film were rabbits at all. It was almost as if the people making this film knew that giving away that particular plot point would almost certainly kill the ticket sales.
Apparently, they also assumed that nobody in their potential audience knew Latin.

Ironically, the studio itself broke the secret by issuing rabbit's foot-themed promotional materials prior to the film's release.

When the movie was released in theaters on Wednesday, July 26, 1972 it was universally panned by film critics, mainly over the absurd plot, and the campy acting. Above all else it was the fact that, despite all attempts to make the rabbits look menacing (putting fake blood on their faces, ect.), the giant killer mutant rabbits were still just, well....rabbits. Fluffy bunny rabbits.

Remember folks, the 1970s was a very weird and somewhat bleak time for Hollywood films. At the time they reflected an American culture that was recovering from the turmoil of the 1960s with a decade where America was struggling with its national identity.

It was during this decade that Hollywood films replaced traditional heroes with hard-nosed anti-heroes who often bent the law to met out justice, and added more than a little adult content, graphic violence, strong vulgar language, and nudity than was previously allowed. Not to mention all the major disaster films, early slasher films, demonic supernatural horror films, and, or course, animal attack films. 


This was the same decade that gave us such deadly animal-based cult classic horror thriller films like: Frogs (1972), Sssssss (1973), Grizzly (1976), Squirm (1976), Rattlers (1976), Tentacles (1977), The Pack (1977), The Swarm (1978), and Piranha (1978) -- just to name a few.

Oh and there was also this one movie about a killer shark that came out in 1975 that turned into one of the first major Hollywood blockbusters....well, lighting had to strike at least one of these vicious animal flicks.   


Okay now, before I go on with this review, I will attempt (however futile it may be) to defend the premise of Night of the Lepus with two key points.

Whoever said rabbits can't be scary clearly never saw
Watership Down (1978).
To be fair the animated film wouldn't come out for another
six years after Night of the Lepus premiered in theaters.
The first being that I personally didn't see the movie until I was about 12, or so. About a year prior to this, I'd seen the 1978 British animated movie Watership Down (based on the classic novel of the same name) which, among other nightmare-inducing things, showed rabbits fighting each other bloody with their teeth and claws. The movie demonstrated just how vicious these little wild animals can actually be to each other and to animals that are about the same size as they are, or smaller.

Despite appearing as timid creatures, wild rabbits will actually kill each other, especially other male rabbits that invade their territory. Despite being largely herbivores, they will kill and eat their own young sometimes because they don't recognize their own kits.

Now knowing this detail about rabbits in general, the second point is the fact that the rabbits depicted in the movie are portrayed to be about the size of wolves, or large bears, in relation to human beings. Add in the fact that there are literally hundreds of them running in a large pack and you could probably see the potential for danger.

Imagine for instance if your average house cat -- you know the one that curls up in your lap, meows to you for food, or sleeps on your bed at night -- was suddenly the size of a tiger. All of a sudden that cute little bundle of fur and retractable claws might not be very safe for you to be around; especially if you've ever witnessed what your average domestic house cat does to small mammals, reptiles, and birds they manage to catch.

Now putting those factors into account it might be easy to see how someone knowing these facts about rabbits might conclude this would be a good idea; or at least be able to suspend their disbelief of the absurd plot long enough to accept that hundreds of cute little bunnies the size of wolves could be dangerous enough to kill people. 

The main trouble with adapting this for the big screen is executing the idea of making rabbits appear to be menacing in a serious horror film to the general public. That feat proved to be absolutely next to impossible.

Oooh scary!!!


If Night of the Lepus were remade today (as unlikely as that is, but one never knows) there are ways to certainly make rabbits look more deadly using advanced modern-day CGI special effects, but back in 1972 they had to rely on bright red fake movie blood, bizarre close-up shots, growling sounds, and movie stuntmen wearing fursuits for the attack scenes....and no, I'm honestly not making that up!

Despite being universally panned by just about every film critic at the time,  as well as its hare-brained premise (pun intended) the film has since managed to garner cult classic status for its overall campiness, as well as its surprisingly outstanding cast of actors.

Among these are late actress and Golden Globe winner Janet Leigh (1927-2004) -- probably best known to many horror fans as the unfortunate Marion Crane in Alfred Hitchock's Psycho (1960) and late actor Stuart Whitman (1928-2020) who played in a number of outstanding roles in film and television in the 1960s up to the 1990s, both playing the lead roles. 

In supporting roles are equally well-know actors. Late actor Rory Calhoun (1922-1999) best known as a prolific Western actor in the 1950s and 1960s -- a good choice given the setting of Night of the Lepus. Late actors DeForest Kelley (1920-1999) best known as Doctor Leonard McCoy in the classic Star Trek: The Original Series (1966-1968) and Paul Fix (1901-1983) best known for his role as Marshall Micah Torrance in The Rifleman television series (1958-1963) help to round up this brilliant cast of actors.

Fun fact: Both DeForest Kelly and Paul Fix played doctors aboard the original USS Enterprise NCC-1701 in Star Trek. Fix played the original ship's doctor, Mark Piper, in the second pilot episode of the original series Where No Man Has Gone Before (Season 1, Episode 3) before being replaced in the role by Kelley.

Night of the Lepus director William F. Claxton was a television veteran known for popular Western series like The Rifleman and Bonanza.  Producer A.C. Lyles was also an old hand at Westerns, as well as the man who gave DeForest Kelly his first acting break. This combination of talent gave Night of the Lepus -- which is set in Arizona's cowboy country -- as much a modern-day Western feel as it does a horror movie. The filming took place between January to March of 1972 at the Old Tucson Studios in Tucson, Arizona, a site well known for its use in American Westerns.

The musical score for Night of the Lepus was conducted by late composer Jimmie Haskell (1926-2016) who is also known for conducting western-themed films throughout the 1960s and 1970s, and is best known for composing music for the television series Land of the Lost (1974-1976). 

Night of the Lepus was released in theaters in summer on Wednesday, July 26, 1972 and has a run time of 88 minutes. The movie is rated PG (remember this was back when Parental Guidance actually meant it). Despite being panned badly by critics, the movie made close to $4 million U.S. dollars off of a budge of just under $900,000 dollars.


The Plot

The story begin with a television newscast (done rather well by veteran newsman Jerry Dunphy doing a cameo appearance) recounting the story of the rabbit outbreak in Australia, then telling of similar outbreaks in the American west
after their natural predators, coyotes, were largely killed off. This includes actual stock footage of hordes of rabbits in Australia and the American southwest.

The newscast then cuts to farmland outside the fictional small farming town of Galanos,
Arizona where rancher Cole Hillman (actor Rory Calhoun) having to shoot one of his horses after the unfortunate animal broke its leg stepping into one of the numerous rabbit holes.

Hillman then goes to the nearby college in Ajo and seeks out the help of the college president Elgin Clark (actor DeForest Kelley in his
last non-Star Trek role in a feature film) to combat the thousands of rabbits that have invaded the area. Cole explains how the efforts used to get rid of the coyotes is what caused the rabbit population to explode and he's looking for an ecologically sound method to control the population.

Elgin asks for the assistance of lab researchers Roy Bennett (actor Stuart Whitman) and his wife Gerry Bennett (actress Janet Leigh) who agree to help because they respect Cole's wish to avoid using cyanide to poison the rabbits. This is largely because Hillman would have to pull his cattle off the ranch and sell them on the market at the worst buying season if they had to resort to poisoning. 

Researchers Roy Bennett (Stuart Whitman) and Gerry Bennett
(Janet Leigh) and their young daughter, Amanda (played by
child actress Melanie Fullerton in her only big screen role).

Roy proposes using hormones to disrupt the rabbits' breeding cycle and captures some rabbits for experimentation. One is injected with a new serum believed to cause birth defects. However, their young daughter, Amanda, loves the injected rabbit, and so she switches it with one from the control group. Amanda is then given the injected rabbit as a pet, but it soon accidentally escapes back into the population.

Originally MGM wanted Janet Leigh's real life daughter, then 13-year-old Jamie Lee Curtis, to play the role of Amanda Bennett. Jamie Lee was also suggested for the part of the possessed, split-pea soup vomiting Reagan MacNeil in The Exorcist (1973) a year later; both of which were shot down hard by Janet Leigh for the same reason: she didn't want her daughter involved in horror films.

Oh, the irony....

Instead they opted for younger American child actress, then 9-year-old Melanie Fullerton, then best known for the CBS TV sitcom series To Rome With Love (1969-1971). Night of the Lepus was Fullerton's only big screen film role.

With their tests proving to be failures, Hillman chooses to sacrifice a mile of his farmland by burning a mile-wide scorched-earth path between his and neighboring farmlands and accepting a loss. This drives the rabbits away underground now that their scant food sources have been scorched.

Some unspecified amount of time later, while inspecting the rabbits' old burrowing areas, Hillman and the Bennetts discover an unusually large animal track near a waterhole.

Meanwhile, Hillman's son Jackie (actor Chris Morrell) and Amanda go to an old gold mine to visit Jackie's friend, Uncle Billy, only to find him missing. Jackie finds more of the strange animal tracks in the old miner's shed, while Amanda goes into the mine and runs into an enormous rabbit with blood on its face and the body of Uncle Billy. Screaming in terror, she wakes up in a fevered hysteria at the local hospital in a really weird jump cut.

Soon horribly mutilated bodies begin to crop up around the town, including a truck driver killed overnight and a traveling family of four. Sheriff Cody (played by Paul Fix) has the medical examiner, Doctor Leopold (late actor William Elliott) look over the bodies and its discovered they were gnawed to death.

This prompts the Bennetts, Elgin Clark, Hillman and two of his ranch hands, Frank and Jud (actors Henry Willis and Chuck Hayward respectively), to go to the gold mine and try to kill the mutated rabbits with explosives.


I'm ready for my close-up now.
 
As Elgin and Cole set charges on top of the mine, Roy and Frank enter the shaft to get photographic evidence. Outside, a rabbit surfaces and a stuntman wearing a rabbit suit attacks Jud violently before Gerry can shoot it, driving it off. Roy and Frank escape the rabbits in the mine and run outside as the explosives are detonated.

The explosives fail to kill all the rabbits (apparently someone forgot to remind everyone that rabbits can burrow through soil), and that night they attack the Hillman ranch, killing Jud -- who tried to take off in a truck and accidentally hit the phone lines when he crashed -- while Cole, Frank, Jackie, and Cole's housekeeper Dorothy (Inez Perez) escape into the storm shelter and fire at the rabbits through the floor of the house and eventually driving them off.

The same night, the mutated rabbits
make their way to the general store/telephone company, killing shopkeeper and telephone operator Mildred (Francesca Jarvis) and mauling everyone else in the small town of Galanos they find before taking refuge in the buildings for the day.

During the attack scenes, the special effects people for the film did their best -- well, given the limitation of the film's budget and what they had to work with in terms of terror -- to make the animals appear giant and menacing. These effects include close-ups of the rabbits rearing up on their hind legs, fake blood and ketchup (yes, they did use actual ketchup for blood) dripping from their two front teeth, roaring lion-like sounds and heavy breathing, and so on.

The make the rabbits appear to be larger, the film also relies almost entirely on slow-motion shots of ordinary rabbits running through background miniatures (like the ones used in Japanese Kaiju films), or in front of scaled-down back projections -- the use of the latter was quite common in films of this sort at the time -- using bongo drums in these rabbit rampaging scenes.



In the morning, Gerry and Amanda leave to avoid the coming press sensation the story would bring, but get stuck along a sandy stretch of road in the family's camper. Hillman is forced to hitchhike in order to find a phone and alert the Sheriff, leading him to discovering the bodies at the General Store and the giant rabbits hiding in the buildings. He is picked up by a priest (Russell Morrell) who drives him to a nearby pay phone.

Roy and Elgin update Sheriff Cody on the situation and the group fly by helicopter to the destroyed mine to discover the rabbits have escaped the mine. Sheriff Cody then calls in the National Guard -- and yeah, I bet that was an interesting conversation.

"Well don't look at me, I'm a doctor, not Elmer Fudd!"

As night falls, the rabbits leave Galanos to continue their rampage, making their way towards the main town of Ajo, eating and killing everything and everyone in their path -- including a herd of cows. Cole proposes using a half-mile wide stretch of electrified railroad track as a fence to contain and kill the mutated rabbits.

The police and National Guard recruit a large number of people
at a drive-in theater (which happened to be showing two MGM films according to the billboard -- I see what y'all did there!) to help herd the rabbits with their car lights. And strangely, people take the news of giant killer rabbits rather well.

With assistance from the machine gun fire and flame throwers by the National Guard, the mutant rabbits are herded towards the trap.

While this is going on, Roy Bennett sets off in the helicopter to locate his missing wife and daughter. He finds Gerry using road flares to fend off some of the giant mutant rabbits from the stranded camper and rescues them.

Hundreds of the rabbits make their way into the trap, where they are met with small-arms fire, flamethrowers, heavy machine gun fire, and ultimately electrocuted on the tracks.

Raiden wins! Flawless Victory!

Some time after the incident -- and probably after an entire town got their fill of hasenpfeffer for a month -- Hillman tells Roy that normal rabbits, as well as coyotes, have returned to the ranch with the balance of nature restored....at least for now.

The ending shows the Bennetts with Hillman watching their children running on a grassy field at the Hillman farm where a normal rabbit is shown sitting on the grass before the end credits roll to the film's western score.


My Thoughts

Night of the Lepus is one of those so-bad-its-good films that I grew up with, and has a message about not upsetting the balance of nature that I can appreciate as a pseudo-adult.

As I pointed out before, Night of the Lepus was just one of a number of killer animal films made in the 1970s, many of which had even worse special effects and acting from far less talented actors. That being said though, this is a movie about deadly rabbits....not killer bees, rampaging wild dogs, people turning into snakes, or even a killer great white shark....rabbits.

Three years later, the British comedy film Monty Python and the Holy Grail (1975) would explore the idea of a killer rabbit, though for comedic effect rather than as a serious horror device.

Night of the Lepus, despite all its many, many flaws, is still worth to time to sit and watch at least once....if only to chuckle and shake your head at how horrible most 70s flicks were. That's not to say the movie isn't entertaining in its own way, but if you're looking for good and slightly more serious 70s horror films, there are far better options.

All the same, in spite of this, Night of the Lepus holds a special place in my heart as one of those cult classics that I watched with my grandparents back in the day as a kid, and I think of it as a misunderstood beauty in its own way.

Now, if I were going to direct a remake, I totally know how I'd go about making the rabbits appear scary....


Imagine him with a leather mask and a chainsaw.


See y'all next time, nostalgia fans!

Monday, April 01, 2024

Monday Meme -- Sometimes Its Not Objectifying

 

*On an important note, April 2nd is officially World Autism Awareness Day. Be sure to keep in mind that sometimes a person who doesn't look at you isn't necessarily being rude or "slow", they're probably on the spectrum and unable to meet your eyes. This blogger is both autistic and a supporter of the neurodivergent acceptance movement.

Wednesday, March 27, 2024

THANK Y'ALL FOR 500,000 WORLDWIDE VIEWS!!!

 

Greetings & Salutations, Y'all!

Today, Wednesday, March 27, 2024,
Southern Fried Common Sense & Stuff has achieved the milestone of over 500,000 Worldwide Views online!

Nearly ten years ago -- in December of 2014 to be exact -- when I started this non-profit personal blog site (then originally named just Southern Fried Common Sense) I honestly didn't know what to expect. 

It began partly as a means to have my voice heard on matters related to Southern-Confederate historical heritage and other topics related to the history of my own little corner of Dixie (the American Southland to all y'all outside of the USA), as well as indulge in and sharing my favorite personal hobby of amateur astronomy and night sky photography, as well as travel blogging and photojournalism.

Although many people here in my country just see my home state of South Carolina as largely a vacation site (and yes we did have some excellent beaches here) and certainly Charleston -- one of the oldest cities in America built by European settlers -- has more than its fair share of history. 

The upstate Piedmont region of South Carolina where I grew up as a Southern boy born on the bicentennial of America's independence and raised in the 1980s and 1990s also has important history that has helped shaped both Southern and American identity as a whole in many ways. History that is both good and bad, but certainly worth sharing.
I'm proud to call myself Southern and very proud have been born in this part of America.

One of the major goals of Southern Fried Common Sense & Stuff has always been to share that history and its importance in as accurate and as fairly balanced an properly researched manner as my own humble skills as a simple, small-town country writer can provide. Judging by some of the comments I've received over these last nine years, I've done a pretty good job and I stand by my work.

Since starting this blog I've also expanded the scope of this blog's content to include other topics of nostalgic nature and personal stories of my life -- some of them deeply personal in nature. Some for educational purposes, and others to share further hobbies of mine, but overall as a means for you, the reader, to better understand who I am and the personal values that shape the person writing on this site.


My goal was simply to share my personal love for the small corner of Dixie I was born in, share my sky watching hobbies, talk about the interesting and important local history of my humble little corner of South Carolina and its importance to the American experience, travel and nature photojournalism, and tell some entertaining personal stories -- as well as a few serious topics -- about my youth and current life.

In nearly 10 years and over 700 posts later, I've been amazed by the outpouring of support that I've received from people, not just in my native South Carolina and United States, but from all across this wonderful world we share.

Though the majority of my views come from my fellow Americans (U.S., Canada, Mexico, and other points south) I'm pleased to say that Southern Fried Common Sense has been viewed by people across the oceans from Europe and Asia, to Africa and Australia. From every corner of this planet, on every continent,
including someone from the South Pole at the Amundsen-Scott Antarctic Station -- literally as far south as it gets! That's pretty outstanding folks!

Not too bad for a currently 47 year-old American-Southern born Gen-Xer who lives along with a cat and spends hours at his computer in his home office in his PJ pants and old rock band t-shirt.
Just goes to show that even a humble writer from a small town in rural South Carolina can provide something of interest. Y'all have my personal thanks for taking the time to read and review my work over these last nine years.

Now that we've crossed this outstanding milestone together, the only place to go now is forward. This Southern boy will continue to bring y'all more good content for as long as the Good Lord allows me to and I have the ability to do so.

Once again, I thank each and every one of y'all for making this blog the underground success that it is, and please continue to offer your support and become an official follower of Southern Fried Common Sense & Stuff to receive up-to-date content.

Also comment below to tell me what sort of content you'd love to see more off from this site: history, photojournalism, travel, night sky photography, personal stories, nostalgic movie and television reviews, ect.

God bless y'all and have a wonderful Dixie Day, y'all hear!

Monday, March 25, 2024

Night Sky Photography -- 03-24/25-2024 -- Full Worm Moon & Penumbral Lunar Eclipse

Good evening, fellow stargazers!

The first full moon of spring 2024 her in the Northern Hemisphere rose this evening into a somewhat clear night sky with only a few small clouds.

The March full moon -- also known as the Full Worm Moon in North America -- is the second smallest (most distant) full moon from the Earth in 2024 at around 251,900 miles (or 405,394 kilometers) away.

The Full Worm Moon of 2024 also takes place during a Penumbral Lunar Eclipse -- when the outer part of Earth's shadow covers the full moon when Luna is on the opposite side of the Earth from the Sun. The Penumbra is the outer lighter part of the Earth's shadow as opposed to the darker inner part of the Earth's shadow, the Umbra.

Luna began to cross the Earth's penumbra shadow as viewed here in South Carolina at about 12:54 a.m. Eastern Standard Time and would reach peak eclipse at around 3:12 a.m. EST when the Full Worm Moon would cover roughly 90% of the lunar surface.

Since the Moon would only travel inside the lighter part of the Earth's shadow, Luna won't appear to have a dark bite taken out of her, but rather appear slightly darker to the naked eye.

The Penumbral Lunar Eclipse ended at 5:35 a.m. EST, but by then your favorite blogger had long since returned to bed.


The following are the photos I took of this late evening night sky event. One shows the Full Worm Moon in the eastern sky with the bright star Spica lower towards the horizon. Spica and Luna will appear next to each other over the next couple nights as the Moon moves past it towards the east. The second is a clearer shot of the surface of the Full Worm Moon prior to the lunar eclipse and the third and final photo shows the slightly darker moon now fully in the Earth's penumbra shadow. 



I hope y'all enjoyed my photos for the evening and, until next time -- be sure to keep your eyes to the night skies, y'all hear!

Tuesday, March 19, 2024

Night Sky Photography -- 03-18-2024 -- The Winter Triangle Constellations & Major Stars Before Spring

Last night about 50 minutes after sunset the sky was really clear and so I was able to take this really beautifully clear photo of every major star of the Constellations Orion, Canis Major (The Greater Dog), and Canis Minor (The Lesser Dog) as well as the nearby Constellation Taurus The Bull and its two largest stars: Aldebaran and Elnath.



Very soon we'll be saying goodbye to these constellations -- at least for a few months -- as they will begin to move lower towards the setting sun during the coming spring months here in the Northern Hemisphere. Spring here officially begins on Tuesday, March 19th.

Saturday, March 16, 2024

Night Sky Photography -- 03-11/13/14-2024 -- The Moon & Jupiter Over Three Nights

Greetings & Salutations fellow stargazers!

Last week over the course of several evenings, I was able to photograph the progression of the Moon rising in the western sky to meet with, and pass by, the planet Jupiter an hour after sunset. These photos were taken over the course of the evenings of March 11th, 13th, and the 14th -- cloud cover prevented me from capturing any photos on the evening of the 12th.

The first photos taken on the evening of Monday, March 11th show a very young crescent moon just above the treetops with Jupiter high overhead, as well as a close-up shot of the beautiful crescent moon.



The next photos taken on the evening of Wednesday, March 13th show the meeting between our lovely Luna and Jupiter in the evening shy. I used the tree in my backyard to frame the shot, which came out beautifully if I do say so myself.

A close up shows the line of Jupiter's own largest moons: Io, Callisto, Ganymede, and Europa as faint but still visible dots.



Earlier the same evening before the sunset I was able to capture these outstanding photos of a pair of passenger jets flying past the crescent moon in the clear evening sky with the sunset reflecting off them. 



The last photos were taken on the evening of Thursday, March 14th showing Luna passed Jupiter and meeting the Pleiades Star Cluster in the evening sky. The wide shot shows the distance the Moon has traveled from just the evening before from Jupiter and its position just below the Seven Sisters and the nearby Hyades Star Cluster. The close-up of the Moon and the Pleiades shows all the major stars of the cluster beautifully.



I hope y'all enjoyed my photos as I enjoy presenting them to y'all. Have a wonderful day and be sure to keep your eyes to the night skies, ya hear!

Sunday, March 10, 2024

A Final Act Of Retaliation -- The Execution of Private James M. Miller C.S.A.

The grave of Private James Madison Miller C.S.A.
(1816-1865).


On Thursday, March 2, 1865 near the small Southern town of Cheraw, in Chesterfield County, South Carolina, a Confederate soldier was executed by Union soldiers under the command of Major General William T. Sherman in a final brutal act of retaliation before the invading army left the Palmetto State and marched north into North Carolina.

By the time the winter of 1864-1865 was turning over to spring, the War Between the States was only a couple of months away from formally ending. However, the war was still very much a serious concern for the people of South Carolina.


One month before, on Wednesday, February 1, 1865, Major General William T. Sherman's invading Union army entered the Palmetto State, beginning the Carolinas Campaign, the final major campaign of the American Civil War.

Despite delaying the Union forces in several small battles, and winning one victory at Aiken, South Carolina, the Confederate defenders could only conduct a fighting withdraw in the wake of Sherman's nearly 60,000 man blue-clad horde -- which conducted itself harshly on the first Southern State that first dared to declare its independence from the Federal Union. Many cities, including the State capitol of Columbia, South Carolina, were burned almost to the ground.

During Sherman's Carolinas Campaign the Official Records report that about 46 Union soldiers were executed by Confederate troops, or civilians. These were Yankee foragers -- better know as bummers -- many of whom were caught in the act of robbing Southern civilians, or committing other personal crimes.

In addition to the destruction of military targets, many of Sherman's forage took it upon themselves to enact personal retribution upon the civilian population of the Carolinas, burning down houses, robbing and destroying valuables, and even committing acts of rape and murder. The worst of the latter  were against the African-American slave population that they were alleged to be liberating from bondage.

These acts became so heinous that many of these bummers, when they were caught by the Confederate army, were shot or hanged without trial on the spot.

The majority of these incidents occurred once Sherman's forces advanced past Columbia, South Carolina into upper South Carolina and many of these acts were blamed on Confederate cavalry under the command of Lieutenant General Wade Hampton III, himself a native of South Carolina.

The following correspondence regarding these incidents was exchanged between Generals Sherman and Hampton gives great insight into just how ugly the war became in its final year.

On Friday, February 24th, General Sherman wrote the following to Hampton directly:


HDQRS. MILITARY DIVISION OF THE MISSISSIPPI,
In the Field, February 24, 1865.
Lieut. Gen. WADE HAMPTON,
Commanding Cavalry Forces, C.S. Army:
GENERAL: It is officially reported to me that our foraging parties are murdered after capture and labeled "Death to all foragers." One instance of a lieutenant and seven men near Chesterville, and another of twenty "near a ravine eighty rods from the main road" about three miles from Feasterville. I have ordered a similar number of prisoners in our hands to be dispensed of in like manner. I hold about 1,000 prisoners captured in various ways, and can stand it as long as you; but I hardly think these murders are committed with your knowledge, and would suggest that you give notice to the people at large that every life taken by them simply results in the death of one of your Confederates. Of course you cannon question my right to "forage on the country." It is a war right as old as history. The manner of exercising it varies with circumstances, and if the civil authorities will supply my requisitions I will forbid all foraging. But I find no civil authorities who can respond to calls for forage or provisions, therefore must collect directly of the people. I have no doubt this is the occasion of much misbehavior on the part of our men, but I cannot permit an enemy to judge or punish with wholesale murder. Personally I regret the better feelings engendered by this war, but they were to be expected, and I simply allege that those who struck the first blow and made war inevitable ought not, in fairness, to reproach us for the natural consequences. I merely assert our war right to forage and my resolve to protect my foragers to the extent of life for life. 
I am, with respect, your obedient servant,
W.T. SHERMAN,
Major-General, U.S. Army.

Three days later on Monday, February 27th, General Hampton responded, not mincing words:

HEADQUARTERS,
In the Field, Feb. 27, 1865.
Maj. Gen. W.T. Sherman, U.S. Army:
GENERAL: Your communication of the 24th inst. reached me today. In it you state that it has been officially reported that your foraging parties are "murdered" after capture. You go on to say that you have "ordered a similar number of prisoners in our hands to be disposed of in like manner". That is to say, you have ordered a number of Confederate soldiers to be "murdered."
You characterize your order in proper terms, for the public voice, even in your own country, where it seldom dares to express itself in vindication of truth, honor, or justice, will surely agree with you in pronouncing you guilty of murder if you order it carried out. Before dismissing this portion of your letter, I beg to assure you that for every soldier of mine "murdered" by you, I shall have executed at once two of yours, giving in all cases preference to any officers who may be in your hands.
In reference to the statement you make regarding the death of your foragers, I have only to say that I know nothing of it; that no orders given by me authorize the killing of prisoners after capture, and that I do not believe my men killed any of yours, except under circumstances in which it was perfectly legitimate and proper that they should kill them. It is a part of the system of the thieves of whom you designate as your foragers to fire the dwellings of those citizens whom they have robbed. To check this inhuman system, which is justly execrated by every civilized nation, I have directed my men to shoot down all of your men who are caught burning houses. This order shall remain in force so long as you disgrace the profession of arms by allowing your men to destroy private dwellings.
You say that I cannot, of course, question your right to forage on the country - "It is a right as old as history." I do not sir, question this right. But there is a right older, even, than this, and one more inalienable - the right that every man has to defend his home and to protect those who are dependent on him; and from my heart I wish that every old man and boy in my country who can fire a gun would shoot down, as he would a wild beast, the men who are desolating their land, burning their homes, and insulting their women.
You are particular in defining and claiming "war rights." May I ask if you enumerate among these the rights to fire upon a defenseless city without notice; to burn that city to the ground after it had been surrendered by the inhabitants who claimed, thou in vain, that protection which is always accorded in civilized warfare to non-combatants; to fire the dwelling houses of citizens about robbing them; and to perpetrate even darker crimes than these - crimes too black to be mentioned?
You have permitted, if you have not ordered, the commission of those offenses against humanity and the rules of war; you fired into the city of Columbia without a word of warning; after its surrender by the mayor, who demanded protection to private property, you laid the whole city in ashes, leaving amidst its ruins thousands of old men and helpless women and children, who are likely to perish of starvation and exposure. Your line of march can be traced to the lurid light of burning houses, and in more than one household there is now an agony far more bitter than that of death. The Indian scalped his victim regardless of age or sex, but with all his barbarity he always respected the persons of his female captives. Your soldiers, more savage than Indian, insult those whose natural protectors are absent.
In conclusion, I have only to request that whenever you have any of my men "murdered" or "disposed of," for the terms appear to be synonymous with you, you will let me hear of it, that I may know what action to take in the matter. In the meantime, I shall hold fifty-six of your men as hostages for those whom you have ordered to be executed.
I am, yours, &c.,

WADE HAMPTON

Lieutenant-General.

Major General William T. Sherman, U.S.A. and Lieutenant General Wade Hampton III, C.S.A.
Photos courtesy of the U.S. Library of Congress.

Hampton more than got his point across as no mass executions of Confederate prisoners took place after this exchange.

However, this isn't to say that there were no further individual "eye-for-an-eye" acts of retaliation between the two armies, the last of which occurred at the beginning of March, 1865. 

On Wednesday, March 1st, one of Sherman's bummers, Private Robert M. Woodruff of Company H, 30th Illinois Volunteer Infantry, was found dead near Big Lynch Creek in Chesterfield County allegedly beaten to death by the enemy.

The next day, on Thursday, March 2nd, the Headquarters, 17th Army Corps issued the following order:

HDQRS. SEVENTEENTH ARMY CORPS,
Thirteen Miles from Cheraw, S.C., March 2, 1865.
SPECIAL ORDERS, No. 56.
I:
In accordance with instructions from the major-general commanding the army, directing that for each of our men murdered by the enemy a life of one of the prisoners in our hands should be taken, Maj. J.C. Marven, provost-martial, Seventeenth Army Corps, will select from the prisoners in his charge one man and deliver him to Brig. Gen. M.F. Force, commanding Third Division, to be shot to death in retaliation for the murder of Private R.M. Woodruff, Company H, Thirtienth Illinois Volunteers, a regularly detailed forager, who was beaten to death by the enemy near Blakney's Bridge on or about the 1st day of March, 1865.


The Union major initially refused to pick a prisoner for execution, believing that Private Woodruff -- who'd apparently been unpopular among his own peers -- might have been murdered by one of his own comrades.


It would actually be learned several years later that the Yankee had actually been killed by a slave who had been taken by this soldier. When the opportunity arose, the slave killed Private Woodruff and returned to his master's farm.

Regardless, the major was threatened with court-martial if the order was not carried out.

At about noon that day, lots were then drawn among the Confederate prisoners. One young prisoner was the unfortunate winner, but another prisoner stepped forward volunteering to take the young man's place, an older man named James Miller.

James Madison Miller was a native of Chesterfield County, born in Jefferson, South Carolina on Sunday, April 7, 1816 and was a Methodist minister and father of six when the war broke out in 1861. Private Miller served in Company C, 5th Battalion, South Carolina Reserves (also known as Brown's Battalion), and later as a guard and minister for prisoners at the Florence POW Stockade between September of 1864 till February of 1865.

The 48 year old Miller was at home on leave when he was captured by Union troops in late February, 1865. Private Miller was taken to a nearby ravine where a firing squad of half-a-dozen member of Woodruff's infantry company waited to execute him.

According to eyewitness accounts, the Union major tried to tie Miller's hands, but the Confederate private asked for no restraints. The major then handed him a handkerchief and told the prisoner to drop it when his prayers were concluded.

According to the personal account of a Wisconsin Union soldier who witnessed the terrible scene:

"As the smoke floated away among the tall pines, our boys looked with sadness upon the bleeding corpse of a brave old man who had med his death unflinchingly and heroically for the crime of another man. If the old man had bounded away into the forest, we'd never have run a step to catch him."


The following was recorded in a Union soldiers diary entry:


"At noon the prisoners had by lot selected one of their number and was sent under guard to the 30th Ills - and was by them shot at 2 P.M. The unfortunate man was over 40 years of age and the father  of numerous family - he met his fate like a hero, five balls entered into his breast. On visiting his grave afterward I found the following inscription: "James M. Miller Co. C. Browns Batt. S.C. Infy. Who was shot to death in retaliation for a regularly detailed forager who was murdered and found near Big Lynch Creek S.C., March 2nd 1865."

The execution of Private James M. Miller was the final act of petty retaliation by Sherman's invading army in South Carolina before marching north into eastern North Carolina and the final surrender of the Confederate Army of Tennessee over a month later.


Private James M. Miller's grave and memorial marker at
Five Forks Methodist Church Cemetery near Pageland, in
Chesterfield County, South Carolina.

The marker on the gravestone of Private James M. Miller.


The following sources were used for this article:

Touring the Carolinas' Civil War Sites by Clint Johnson ISBN 0-89587-146-7.
The Chesterfield (SC) Historical Society http://chesterfield.scgen.org/historicalsociety.html.
The U.S. Library of Congress -- The War of the Rebellion: a compilation of the official records of the Union and Confederate armies.
All photos of the grave of Private James M. Miller were taken by the Witherspoon-Barnes Camp #1445 Sons of Confederate Veterans (SCV).