Showing posts with label Classic TV Specials. Show all posts
Showing posts with label Classic TV Specials. Show all posts

Friday, February 14, 2025

Southern Fried Nostalgia & Fandom: Hey Arnold! -- Arnold's Valentine (1997) TV Special Review

 

Arnold's Valentine is the 25th episode of the 1st season of Nickelodeon's Hey Arnold! animated television series. The episode was written by series writers Rachel Lipman (who wrote many first season episodes) and late writer and series co-developer Steven Viksten (1960-2014) and directed by Jamie Mitchell. The episode premiered on Nickelodeon on Wednesday, February 12, 1997 and again on Friday, February 14th, 1997 -- St. Valentine's Day at 8:00 p.m. EST. Run time of 24 minutes.

The special episode is the second holiday episode of season one following Arnold's Christmas (Season 1, Episode 20), Arnold's Valentine also serves as the culmination of the season one story arc concerning the title character's season-long unrequited crush on a 6th grade girl named Ruth which began in the episode Operation Ruthless (Season 1, Episode 7a) -- the latter episode also having been written by Viksten and Lipman respectively.

This episode holds some special significance for yours truly that I discussed in a previous blog post.

It aired on the same day I graduated from U.S. Navy boot camp -- Friday, February 14, 1997. At the time I was in a hotel room with another graduate and my Grandmother Carolyn (God rest her soul!), who'd made the bus trip from South Carolina to Great Lakes, Illinois to see me graduate and visit for the weekend.

While I was visiting and eating Pepperoni and mushroom pizza and drinking Dr. Pepper (the first real junk food I'd had in about 9 weeks!) the episode came on television replayed from two days before when it premiered on Nickelodeon and I found myself totally immersed in it while my grandmother and shipmate were talking about his family.

Now, as I mentioned in a previous blog post, I'd begun watching Hey Arnold! casually when the first season began, but didn't really have time to get into the series too deeply before shipping off to Great Lakes in December of 1996 -- three months after the first season began. When I saw it again upon graduation, the first episode I'd seen was Arnold's Valentine, and I was taken with the story elements of the episode. 

It's also probably my second all-time favorite Valentine's Day story in animation behind Be My Valentine, Charlie Brown (1975) from childhood -- which I will probably do a nostalgic review of at some point down the road.

I watch the episode as a yearly tradition on, or close to, Valentine's Day. Yep, just me sitting in my living room chair in my pajamas and a bowl of popcorn in front of the television....also pretty much my normal February 14th tradition, alas. 

Anyhow, without further ado, let's get this nostalgic review started.




The Story

The episode beings on St. Valentine's Day (February 14th) at P.S. 118 where our two main protagonists, Arnold and Helga are both admiring their mutual crushes from afar: Arnold smiling as 6th grader Ruth McDougal passed in the hallway -- and still completely oblivious to the fact he even exists; and Helga smiling from her desk as Arnold walks past her entering the 4th grade classroom.

The students are assigned by their teacher, Miss Slovak (voiced by the talented Miss Tress MacNeille), to make Valentine cards for someone that's important or special to them. Helga tries to make one for Arnold, but her wording never seems to come out right and becomes more and more hostile due to her insecurities (example: Arnold, be my Valentine, or I'll pound you!) until finally she becomes discouraged by the whole thing.

How about "Be My Valentine, Football-head!"


Arnold meanwhile crafted a beautifully made Valentine card on which he invites Ruth to dinner at Chez Pierre, a really fancy downtown French restaurant. His best friend, Gerald, claims that Arnold has some guts....only for Arnold to sign the card "Anonymous" and second-guess himself. Helga overhears the conversation between the two and grumbles annoyed to herself over how superficial Ruth is -- and mostly the fact she's a sixth grader. 

Arnold seems to have a weakness for older girls and women; a point that continues to crop up a few more times throughout the run of the series.


Miss Slovak then starts handing out postcards from the students' pen-pals, including a sad little postcard from Helga's pen-pal begging for money. When she laments that she never gets fancy gifts from her pen-pal (unlike Rhonda who got gourmet chocolates from her Italian pen-pal), Miss Slovak offers some words of wisdom to Helga, "Sometimes the most beautiful gift can come in the plainest box." Remember this line because this is important later on.

Before she can next give Arnold a letter from his French pen-pal, a girl named Cecile, the bell rings for recess. In the fact she was about to hand it out to Arnold, who was ready to take it, Miss Slovak returns the letter to the bag to finish giving them out after recess -- this detail (despite making no sense at all) will shortly be important in moving the plot forward.

At recess, Arnold practices some slick ninja skills as he slips his card for Ruth in with her other Valentine cards when she's not paying attention. When she picks it up and reads it, she apparently does show some genuine interest.

A simple hello might have been just as good, Arnold.


Meanwhile, Helga gets an idea on how she can express her feelings to Arnold. She sneaks back into the classroom and takes out Cecile's letter for Arnold, adding a P.S. saying that she is flying into town for one night and wants to meet him at another French restaurant, Chez Paris, tonight. She tells him to please come alone and don't make any other plans.

Later that afternoon when school lets out, Arnold is reading the letter
and he becomes worried as to how he's supposed to go on two dates at the same time. The two of them walk to the restaurants, which just happen to be right next to each other.

Gerald suggests that he should simply get a table at both places and if Ruth didn't show up (which Gerald was pretty sure wouldn't happen) then Arnold would be okay, but if she somehow did, then Arnold could make up some excuse to go across to the other restaurant. Arnold -- probably out of desperation and seeing no other way out -- agrees to this plan.

In the next scene between Gerald and Arnold as they are walking to the Sunset Arms Boarding House, Gerald asks his best friend what he knows about Ruth when Arnold asks what he should even say to her. When Arnold is forced to admit that he really doesn't know much about her, just that he likes her for a bunch of superficial reasons, Gerald laments that this is going to be harder than he thought.

Throughout the whole of season one of Hey Arnold! our football-headed protagonist has never once actually spoken to, or had any personal interaction with Ruth, other than seeing her seemingly smiling at him as they crossed paths with her wide, brace-faced smile on a few occasions. His crush on Ruth is based solely on what he sees as his idolized version of a lovely girl....or rather as much attraction as a 9-year-old can have with an 11-year-old.

On a personal note, at age nine, I was more obsessed with the original G-1 Transformers cartoon television series, 80s slasher horror films, and professional wrestling personalities. I wouldn't start noticing the opposite sex for at least four more years.

The writers for Hey Arnold! tended to treat their 4th grade characters more like young adults on occasions depending on the circumstances, sometimes contrasting the fact most of the children in the series were more seemingly mature than the adults around them behaved at times. This would also explain how, later in the episode, these 9 to 11-year-old kids can reserve tables at fancy French restaurants and be out late at night with no adult supervision -- in a major American city no less!

Meanwhile, Helga prepares for her own date with Arnold by rushing home and raiding her older sister's room for tapes on learning to speak French -- which she copies rather badly. She also seeks out and finds the most French-looking outfit from her sister's closet to alter. Later she goes to a salon to get her hair done in some French style -- not realizing that the salon was actually meant for dogs and getting her pigtails done up in a French poodle style and making her look totally ridiculous but certainly not like she usually looks so mission accomplished.

Back in Arnold's room Gerald attempts to coach Arnold on his date, to apparent success as Arnold delivers a small speech to give to Ruth to say how much he likes her and wanted her to know it. It even moves Gerald to tears a little. Then Arnold gets dressed up in his tuxedo and Gerald volunteers to sit at a bench between both restaurants to serve as lookout in case Ruth arrives.

Back at the Pataki household, Helga gets ready for her catfish date with Arnold, dressing up and delivering a monologue about finally getting Arnold out of the clutches of "that sixth grade yo-yo" and being able to express her true feelings for Arnold with no risk since she will be in disguise.

Then Helga ends this monologue with the bold remark, "Nothing can go wrong now." -- a dreaded phrase that's pretty much the equivalent of saying, "I'll be right back" in a slasher film, meaning she's inviting some negative karma on her well laid plan.

In the next brief scene we see a plane coming in for a landing with the real Cecile and her parents flying into the city from France, to make a surprise visit to see Arnold that very same day....uh oh.

Thus ending the first half of the episode.

The second half of the episode finds Arnold at Chez Paris sitting at a candlelit table near a large window waiting for his first date. Gerald is sitting on a bench outside between both restaurants pretending to read a paper, and gives Arnold a thumbs-up that Arnold returns.

Helga arrives as "Cecile" in her "frou-frou" hairdo, red high-heels, and the most French-looking outfit she could find in her sister's wardrobe, that she apparently altered enough to show off her....uh, curves? 

Yeah, I never understood how a nine-year-old somehow has
feminine curves. It didn't make sense the first time I saw it either.


After slipping in her heels and needing help from Arnold, the latter remarks that she didn't look much like her photograph, which he holds out showing the actual Cecile. Helga promptly takes it from him and rips it up muttering something about a mix-up. Arnold also notices that her French accent is more American, to which she acts like its a complement.

It was then that Arnold says, "There's just something about you. I feel like I know you already." Helga begins to panic until Arnold adds the he meant from Cecile's letters.

How Arnold can't tell that this girl is full of it, and more so that she's Helga is the comedy gold of the whole scene. I just assume that its the fact her hairstyle now covers her left eye giving here Clark Kent-level disguise powers....that or our Football-head hero is just really dense. Or both?

Arnold asks her about her life in France curiously, causing Helga to go on about Paris being quite a city. This confuses Arnold who mentioned she lived on a farm in the Loire Valley.

Yeah Helga, you probably should have read the rest of the letter and did a bit more background research before committing identity theft.

Helga deflects from this mistake asking about Arnold and what his school is like. Before he can go into details, a very snooty waiter named Jacques appears to take their order. Arnold just asks for a hamburger, which causes both the waiter and everyone else in the fancy French restaurant to gasp and look his way like he just farted in church.

Mr Snooty Waiter tells Arnold (in what I'm pretty sure is a fake French accent that he probably drops the moment he gets back to his apartment after work) that, "Chez Paris does not serve, le-amburger." He recommends the Steak Tartare, which Arnold accepts. When he attempts to add to that, the waiter just looks at him and says, "You are finished with your order." What a dick!

When Helga orders, she just finds the most French-sounding thing on the menu. Mr. Snooty Waiter complements Helga on her refined taste before departing. When Arnold asks what she ordered, she only deflects saying that she didn't know how to say it in English and that they have it all the time back home in France.

Well, at least she did not order the first one!

As Helga begins to talk to Arnold -- about the shape of his head of all things -- Ruth appears at the window outside next to Chez Pierre next door and Arnold goes all foggy and the Jazz music plays in his mind. He promptly excuses himself awkwardly to go to the restroom and leaves to go greet Ruth.

After an entire season of never actually interacting, Arnold finally, FINALLY, gets to talk to Ruth directly. 

Ruth McDougal is voiced by the talented Lacey Chabert, who is best remembered as the voice of Eliza Thornberry in Nickelodeon's The Wild Thornberrys animated series
and the original voice for Meg Griffin in the first season of Family Guy. This is also the only time in the entire series where Ruth actually has a speaking role, rather than serving as a background character.

For her part Ruth seems to barely care about Arnold's presence as she asks about reservations with "Mr. A-non-y-mos." Yes, that's how she pronounces it, even having to look at the Valentine card to remember the name. Yeesh.

She needs to actually look at the Valentine to remember
"Anonymous"? Dude, that should be red flag number one!


Arnold escorts her to an outside table and asks if she wants anything. After saying she'll have a soda. Gerald -- still sitting nearby -- whispers to Arnold reminding him of his other date. He excuses himself to go back to Chez Paris. Once he leaves a busboy comes over and asks Ruth if she wants anything to drink, to which Ruth replies somewhat confused, "I just gave my order to that other busboy."

Oh crap.

Meanwhile, back at their table inside the other restaurant, Helga is practicing trying to tell Arnold that she loves him, but has as much luck saying it to herself as she did earlier trying to write it on her Valentine Day card.

Arnold returns, making an excuse about the line at the bathroom. Helga decides to go right for the throat, asking him if there's any girl he likes at his school. Arnold considers the question and then he kinda mentions Helga, who he says kinda bugs him sometimes. Not really the answer she was looking for and Helga almost blows her cover when Arnold tries to explain what "bugs" means.

I hope neither of them left this jerk a tip!

Fortunately their food arrives, sparing Helga from another failed attempt to confess her feelings for him. She promptly digs in enjoying her pink-looking mushy food, that is until Mr. Snooty Waiter comments that not many of their younger customers appreciates "le-cow brains and eggs" -- which is probably the closest thing Chez Paris has to "le-amburger." Upon hearing that Helga gets up quickly and runs to the bathroom to barf, causing her hair to come undone for some reason.




Arnold uses this unexpected opportunity to rush back to Chez Pierre and Ruth, who said that she already got a soda from the other busboy. Arnold realizes she mistook him for a waiter and then sits down and starts to explain, asking if she wonders who Anonymous was. Ruth replies, somewhat annoyed that everyone knew who Anonymous was, that he was some sort of famous poet that they read about in class.

Yeah, you get the idea right then that this girl is a complete airhead and she's a few pounds light. However, despite this, Arnold suggests they talk a bit and get acquainted. Ruth responds indifferent, saying okay but once Anonymous shows up, he'll have to go. Ouch.

We cut back to Helga briefly, who is walking back to their table. Dress and shirt wrinkled and no longer showing off those impossible curves, and hair now loose -- though her Clark Kent-level bangs are still covering her left eye. Once back she realizes she's alone and stands getting ready to leave disappointed, thinking Arnold had abandoned her.

Then we cut back to Arnold, who looks completely bored and disappointed as Ruth, his crush, the sixth-grader that he admired for afar for a whole season goes on-and-on about herself and superficial things like how some other girl copied her hairstyle. Gerald nearby waves him over pointing to the window where Helga is standing up and getting ready to leave. Arnold quickly excuses himself from Ruth -- who is still babbling -- and rushes back to Helga before she can leave.


What happens next is probably one of the more touching scenes of the whole episode and why I personally love Hey Arnold! as a series.

Arnold sits at the table and opens up to Helga, telling her about how he thought he liked this one girl, but found out when he got to know her that the two of them had nothing in common. Helga responds sincerely that maybe she wasn't the girl for him, that the one for him might be someone he didn't expect. She then repeats the same line that Miss Slovak told her earlier in the episode: "After all the most beautiful gift can come in the plainest box."

You really feel in this scene that Helga was being open and honest when speaking to Arnold.
She no longer tries to put in that fake-sounding French accent and just speaks to him in a soft, sincere way. Even her disguise falling apart with her long blonde hair now loose and hanging over one eye feels more natural somehow -- a nice touch there.

Arnold accepts that maybe she is right and then confesses to Helga that he was really glad she came and that he's having a really good time with her.
This surprises Helga who responds that she feels the same, then actually manages to say that she really likes Arnold and then asks if he likes her back.

There's a long moment where Arnold looks down at their hands, which are close to each other on the small table, just inches apart. Arnold starts to reach for it, but then remembers that he has to deal with his other date -- if only to explain things and say goodbye to his now former crush -- and excuses himself one last time to take care of it. He briefly touches her hand before departing, leaving Helga smiling as she leans on the table.

The entire scene is beautifully done with the pair sitting between a candle-lit table and a guy playing a violin in the background. T
he music for the scene is just absolutely amazing all thanks to series composer Jim Lang's amazing romantic score. Both Arnold and Helga's young voice actors (Lane Toran and Francesca Smith -- who were both 13 and 11 respectively when they played the roles) do an absolutely wonderful job conveying the emotions of both characters in this scene.

"Say, did you do something different with your hair?"

Ruth meanwhile found herself getting closer with the busboy at Chez Pierre who also happens to like the same superficial things she enjoys: chewing gum, bread sticks and Ruth's hair -- truly the greatest foundation for forming a new relationship if there ever was one.

Arnold returns, only for Ruth to inform him that they were about to leave together, and he can go ahead and clear the plates. Dude....really?!
Arnold is clearly not old enough to be a busboy.

Also, I'm pretty sure if that busboy is actually old enough to get employment at a restaurant, then he's way too old to be going out with a 6th grader. Again Ruth clearly isn't the sharpest knife in the draw.

She's all yours, buddy.

Its about this time that Helga looks out the window and sees Arnold talking to Ruth, and is understandably upset. She takes off those ankle-spraining high heels and stops out of Chez Paris and demands to know what's going on. She slams her heels on the ground to emphasis that yeah, she's pissed off.

Arnold tries to explain, but Helga cuts him off with a finger to his nose, saying, "If there's one thing I can't stand its someone not being completely honest about who they are!"

Right on cue, a French-accented voice behind Helga asks for Arnold, saying she was Cecile -- leading to shock on Helga's part and confusion on Arnold's. Miss Hypocrite begins to babble and Cecile asks Arnold what is going on....yeah, like he's got a clue.


Surprise Arnold, the real Cecile has arrived. Gerald....help!

Thankfully, Gerald makes his presence known and comes to the rescue, saying that he's Arnold and offers to take Cecile to a local hamburger joint down the street -- which Cecile happily accepts.

You see, Mr. Snooty Waiter, she's French and she likes "le-amburger" you stuck-up prick!


Gerald and Cecile walk away arm-in-arm leaving two very awkward kids standing there on the cobblestones. Helga remarks that its been a crazy night, which Arnold agrees with. She bends to pick up her shoes, only to have Arnold pick up the other one and look at it before asking, "There's one thing I still don't understand, who are you?"

The fake Cecile finally responds that she can't tell him, but doesn't give an excuse why. Arnold accepts this and then asks, "Will I ever see you again?" At this Helga smiles and says, "Oh, probably."

Arnold takes her hand and tells her this has been the best Valentine's Day he's ever had. Helga agrees and then says she has to go. Then, in a line right out of 
the 1942 film Casablanca, Arnold says, "Well, we'll always have Chez Paris" before smoothly kissing her hand. Helga lets out a small, loving sigh and says, "Au revoir, Arnold."

"Later football-head....er, I mean, Au revoir, Arnold."

This is an another touching scene between these two characters.

Certainly Arnold is curious about who his mysterious dinner date actually is. It was established in an earlier episode of the series The Little Pink Book (Season 1, Episode 6a) that Arnold has a secret admirer with a major crush on him. Even as dense as Arnold is he has to know this must be the same girl who wrote those mushy poems about him.

Yet, rather than pry any further, Arnold chooses to respect her privacy and allows her to say goodbye with her secret intact. This shows a great deal of class on Arnold's part.

Helga in turn also seems to forgive Arnold for his own deception in seeing Ruth behind her back on their date. She does so, not just because she'd also been deceiving him; but because, in spite of everything, Arnold still holds her heart and she simply cannot stay mad at him for long.

The fact that the two of them actually enjoyed each other's company in spite of everything was also a good thing. Helga's "au revoir" (French for goodbye till next time) is her way of confirming to him that yes, he will see her again....next day in class, duh!

As Helga walks away holding onto one of her red shoes, she wonders if it was her that Arnold liked, or the her she acted like when she was pretending to be Cecile -- which by the way is a good question, but one that won't be answered for some time in the series.

The final scene shows Arnold walking home and standing at the top of the stairs in front of the open doorway holding Helga's other shoe and looking up at the night sky overhead wondering who his secret admirer actually was as the ending credits begin.


I wonder who she was? Also, that waiter was such a dick!

My Thoughts

Arnold's Valentine is a great special holiday episode of the series, and certainly one of my favorites in terms of the story arc regarding the relationship between the two main protagonists, Arnold and Helga.

For many fans who enjoy the relationship arc, this episode is really one of the first indications -- if only subtly -- that Helga's feelings for Arnold run deeper than just some crush, and that Arnold might actually like Helga back romantically.

In point of fact, the creator of the show, Craig Bartlett, has stated in interviews with fans that Arnold and Helga are in fact soulmates.


There would be other moments between these two in scenes throughout the next four seasons of the series that would build on this and expand on the nature of why Helga loves Arnold in the first place. Seasons four and five have some especially great moments between the two characters.

The build up and the story arc itself is done very well for a series that is allegedly developed for kids and written so beautifully that people into their early adulthood can get into the story.

In fact, the emotional investment in this romantic story arc has inspired a large number of fanfiction stories and fan artwork on over a hundred fan sites throughout the decades, and continues to do so today in spite of the series having long since ended. Not just from teenagers, but also from people in their 20s and even 30s who enjoyed this cult classic animated series -- myself included.

It would take an entire series of five seasons and two movies (the second of which made about 20 years after the series actually premiered in fact!) before the Hey Arnold! fandom would finally get a definitive answer to the question: Do Arnold and Helga end up together?

Spoiler alert: Yes they do!

Anyhow I hope y'all enjoyed my Southern Fried Nostalgic & Fandom review of this special Valentine's Day episode. Please let me know in the comments below if you've seen it and what you thought of my review of this great holiday episode.

Wednesday, October 16, 2024

Southern Fried Nostalgia & Fandom: Garfield's Halloween Adventure (1985) TV Special Review


Having been born in the late 1970s and growing up as a child in the 1980s, I've always been a huge fan of the popular American comic strips Peanuts and Garfield and their various television and holiday specials for as long as I can remember.

Being a currently 40-something pseudo-adult and a huge 80s nostalgia nerd, your favorite blogger has quite a physical media collection of many of these classics, some of which I watch as an annual tradition around the holidays -- including the subject of this article.

The 1985 holiday special Garfield's Halloween Adventure
directed by Phil Roman and written by Garfield creator Jim Davis, is the fourth of twelve Garfield television specials created between 1982 and 1991.

The special would go on to win the Primetime Emmy Award for Outstanding Animated Program in 1986, along with another outstanding Garfield special, Garfield In Paradise (1986). It was also adapted as a 64-page illustrated children's book
in 1985 by Random House Publishing Group, originally under the title Garfield in Disguise, but later re-titled Garfield's Halloween Adventure.

The special premiered on
CBS television on Wednesday, October 30, 1985 at 8:30 PM EST following the annual showing of It's The Great Pumpkin, Charlie Brown (1966). This blogger was nine-years-old at the time.

The holiday special was then, and still remains to this day, one of my favorites to watch around my favorite holiday of the year. Garfield's Halloween Adventure is an interesting combination of humor and horror.

Sadly, unlike the ever-popular Peanuts specials shown on holidays, Garfield's specials are not shown on network television as much these days. However, you can find them on some streaming services and sites like YouTube.

Thankfully, I have a personal copy of Garfield's three holiday specials for Halloween, Thanksgiving, and Christmas on DVD in my home media collection to rewatch every year or two out of tradition and nostalgia.



The story beings with our favorite
lazy, lasagna-scarfing orange tabby, Garfield, asleep under his blue blanket in his cat bed when the television station morning broadcast starts the early morning off with the Binky The Clown Show. The ever-annoying Binky (voiced by actor Thomas Huge) wakes Garfield unceremoniously with his loud catchphrase: "HEEEEY KIDS!"

Fun fact: this is the first introduction to the character Binky The Clown in the Garfield universe. Binky's first comic appearances were on Monday, September 15, 1986 (shown in an ad) and Wednesday, September 17, 1986 (in person) almost a year after his appearance here.
The character would go on to play a prominent recurring role on television in the CBS Saturday morning cartoon series Garfield And Friends (1988 - 1994).

We all float down here, Garfield; and you will too!

Garfield (voiced brilliantly by the late Mr. Lorenzo Music, who portrayed the beloved character in animation from 1982 - 2001) is easily annoyed by Binky, who starts out making our favorite lazy fat cat do jumping jacks in his abrupt early morning haze. This annoyance is short-lived when Binky informs his audience that its now Halloween and tonight was the opportunity to get large sums of candy.

This leads into the first of four short lyrical songs in the holiday special, 
"This is the Night" performed beautifully by the late composer Louis Rawls as the intro to the holiday special plays.

All the music and lyrics to the short songs in the special were
written by composers Desiree J. Goyette and Edgar "Ed" Bogas.

Desiree Goyette sang and composed songs for every Garfield television special between 1982-1989. Also serving as a voice actress, Miss Goyette provided the voice for several characters throughout the specials and the Garfield and Friends television series where she voiced Nermal the kitten. In 1993 she married fellow composer, Edgar Bogas.

Edgar N. "Ed" Bogas served as musical composer for both Garfield and Peanuts television specials from 1977 to 1989. He was also the composer for the Ralph Bakshi films Fritz the Cat (1972) and Heavy Traffic (1973), as well as several video games. He is perhaps best known for composing the popular music for Pinball Number Count (or Pinball Countdown) on the American educational children's television series Sesame Street, which was sung by The Pointer Sisters.

Following the opening song, Garfield muses about how simple Halloween is compared to other holidays....which this blogger happens to agree with him on.

The first act begins the next morning with our favorite feline becoming very excited about trick-or-treating that day. So excited that he breaks out into random chants of "Candy! Candy! Candy! Candy!" and has to constantly steady himself. He encounters his owner, Jon, (also voiced by Thomas Huge) carving out a Jack-O-Lantern and practices scaring him, with easy success....then again Jon Arbuckle's character isn't exactly much of a baseline for masculine bravery.

Jon, you need to make it look more like this!

In his increasing greed for more candy -- which as we shall see grows throughout the whole first two acts of the special -- Garfield also tricks his fellow fur baby, Odie, into thinking dogs are required to help other cats trick-or-treat and give almost all of their candy to them, save one piece of candy for the dog. Odie being....well, Odie, is excited at the idea of the meager reward for essentially being an extra body.

Garfield and Odie then head up to the attic to find costumes in an old trunk. After considering a number of options with another awesome short song "What Shall I Be?" sung by Lorenzo Music along with a montage of various Halloween costumes, Garfield decides he and Odie will become pirates -- a role that Garfield more than gets into.

The first act ends with Jon making observation that the two of them look ridiculous, but then happily provides them with a pair of sacks for trick-or-treating. This ends with Garfield plundering the remains of Jon's lasagna before walking off scene.

Your lasagna, or your life, Arrrrgh!

The second act begins as Orangbeard The Pirate and his first mate, Odie The Stupid (aka Garfield and Odie) heading out that evening with their pair of sacks to pillage the village (aka trick-or-treating). This scene leads into the brief pirate-themed short song, "Over The Raging Sea We Go" again sung by Lorenzo Music.

When passing several costumed kids Odie expresses fear, but Garfield assures him the scary characters they see are only children in costumes. This starts the final short song of the special called "Scaredy Cat" performed beautifully by Lou Rawls and Desiree Goyette.

This scene also begins to take us into the more supernatural realm of the story.



When the song begins, Garfield and Odie encounter other costumed people, only to realize through unmasking them they are not what they appear to be: a ghost's white sheet with giant monster feet beneath; a goblin mask with a real goblin underneath; and finally  another white ghost sheet with nothing underneath. These scenes -- as well as Garfield and Odie's hilariously comical reactions to them -- serve to set up the real supernatural main even that takes place in the third act.

In spite of those brief run-ins, Garfield and Odie are now well into trick-or-treating, with a short but awesome montage showing their bags getting heavier and heavier with their cavity-inducing "booty" as they cover
every house in the neighborhood



The pair soon arrive at the docks where Garfield notices more houses across the river. After an all-too-brief moment of self-reflection where he questions that he's probably being too greedy -- then completely dismissing this stupid idea -- Garfield decides that him and Odie are going to cross the river on a commandeered row boat to visit more houses for even more candy.

Once on the water, they get caught up in the current. When Garfield tells him to put out the oars, Odie misinterprets the command and literally throws the oars overboard, leaving their pirated boat adrift as the current takes Garfield and Odie downriver into the foggy night.

Garfield contemplating the meaning of his life.

The third act of the holiday special has Garfield and Odie adrift on the river. Garfield is wallowing in self-pity as he vows to never pretend to be something that he isn't....that is until Odie spots a small island ahead and Garfield instantly reverts to his pirate captain persona.

Their boat arrives at an abandoned dock near a run-down mansion that sits in the middle of the small island. They venture inside the home thinking it's deserted (this despite the fact the fireplace has an active fire), but are suddenly startled to find a creepy-looking old man sitting in an armchair.

To be fair guys, this dude would have scared me too.


The old man tells them that they picked a poor night to pay a visit, then relates a very creepy story to them.

According to the old man, exactly one hundred years ago that very night, a group of pirates pursued by government troops, landed on the island and buried their treasure beneath the floor of the mansion. But before leaving, they signed an oath written in blood to return for the treasure at midnight a hundred years later, even if it meant rising from the grave -- which, understandably would had to have been the case anyhow.

The old man finishes by explaining that the pirates had a ten-year-old cabin boy and that he was that boy (which would make him 110 years old by the way); also that he never took the treasure because they would have found him.


This is more than enough for Garfield and Odie who start to leave. Garfield asks the man if he wants to come too, but he has suddenly disappeared -- stealing their boat (and worse yet, their candy! GASP!) leaving Garfield and Odie behind to their fates.

A minute later, the grandfather clock chimes midnight, and Garfield and Odie watch as a ghostly ship materializes on the river and pirate ghosts emerge from the water. Garfield and Odie hide in an empty cupboard as the ghosts reclaim their buried treasure from the floorboards of the house. As he and Garfield quietly hide, Odie lets out a big sneeze alerting the ghosts to their whereabouts.

Now, I have to tell you, as a nine-year-old kid, this nightmare-causing scene creeped me the hell out!


Yeah this scene caused 9 year old me a couple of nightmares.


The duo, having been discovered, make a mad run for it, out of the house and onto the wooden pier; the ghost pirates in hot pursuit. Garfield and Odie jump into the river to escape, where Odie has to rescue Garfield (who loses his pirate captain hat in the current) as he cannot swim. They managed to drag each other ashore far from the island and the pirate ghosts -- who give up the chase for whatever reason.

Garfield and Odie are then delighted to find their boat with the candy still inside nearby, so all's well that ends well. Our two furry protagonists get their sugary booty and go home happily, and the pirate ghosts got their treasure -- although what use a bunch of treasure would be to ghosts is not certain. Oh well, it was still a cool little diversion into the supernatural for the story.

In the epilogue, Garfield repays Odie's for saving his life by reluctantly -- as a great personal sacrifice of his part -- giving him his rightful half of the candy.

"Good evening, my friends..."

Afterwards, Garfield turns on the television and sees the old man from before, now wearing his lost pirate hat, and hosting an all-night pirate movie festival. Garfield turns off the television and decides instead to goes to bed for the rest of the night with his sack full of candy.

Overall, this holiday special is a real trick-or-treat for the whole family and still holds up really well today. I highly recommend it, though small children should be prepared for the scary pirate ghosts.



Thursday, June 06, 2024

Southern Fried Nostalgia & Fandom: What Have We Learned, Charlie Brown? A Tribute (1983) TV Special Review

Charlie Brown, Linus, Peppermint Patty, Marcie, Woodstock,
and Snoopy with a World War II era tank overlooking Omaha Beach.
Image courtesy of CBS and Charles M. Schulz.


The sixth day of June, marks the anniversary of D-Day, the name given to the Allied invasion of Normandy in Northern France and the beginning of the subsequent liberation of Western Europe from occupation by forces of Nazi Germany during World War II. The invasion took place in the morning hours of Tuesday, June 6, 1944.

Allied casualties on the first day were around just over 10,000 men, with 4,414 of these confirmed dead. The highest casualties inflicted among the U.S. forces were those inflicted on the 1st Infantry Division and 29th Infantry Division who stormed Omaha Beach -- about 2,000 casualties. The Germans suffered anywhere between 4,000 to 9,000 casualties.

Nearly 160,000 American and British soldiers were sent across the English Channel with nearly 5,000 landing and assault craft, 289 escort vessels, and 277 minesweepers participating.
The Normandy landings were the largest seaborne invasion in military history to date. The invading Allied forces established five beachheads in Normandy and a base of operations leading to the final defeat of Nazi Germany less than a year later on Monday, May 7, 1945 -- V-E Day.

One of the very first times I'd ever heard of the details of this remarkable story of D-Day and World War II came from the 1983 CBS Peanuts special What Have We Learned, Charlie Brown? A Tribute, which premiered on US Memorial Day, Monday, May 30, 1983.

As a kid, I found the story fascinating. As a pseudo-adult, I look back on it and the story it told fondly. Peanuts creator Charles M. "Sparky" Schulz -- himself a U.S. veteran of WWII -- came up with the idea for the story in 1981, which would immediately follow the events of the 1980 Peanuts special Bon Voyage, Charlie Brown (and Don't Come Back!!) continuing the adventures of that blockhead, Charlie Brown, Linus, Peppermint Patty, Marcie, Snoopy and Woodstock as they traveled in northern France.  

The story was written by Schulz, produced by the late Lee Mendelson (1933-2019) and directed by long-time Peanuts director Jose "Bill" Melendez (1916-2018) The music for the special was composed by Judy Munsen.






The story begins with Charlie Brown back home placing photos from his trip to France in a photo album. Sally, his younger sister, joins him asking how the trip went, leading into the story being told in the form of a flashback.


Charlie Brown tells his sister, Sally, about the
return trip through northern France.


Charlie Brown and his friends: Linus, Peppermint Patty, Marcie, along with his dog Snoopy and sidekick Woodstock, begin their adventure leaving the chateau from Bon Voyage, Charlie Brown heading on the road back to the train station for the return trip to London in their somewhat dilapidated rental car with Snoopy driving -- and getting into one more accident and eventually breaks down completely in a small French town.

The gang rent another car from a French lady who largely accepts their offer after seeing Snoopy dressed in his World War I Flying Ace outfit. The new car has its own set of problems for Charlie Brown in particular because it uses a problematic hand-crank that throws him to the ground whenever Snoopy starts up the engine. This gag happens on three separate occasions in the course of the 28 minute special. There is another gag where Snoopy has to contend with a flock of French birds who mob their rental car on two different occasions.

 
The gang camping on the side of the road near the French
coast in Normandy.

Soon the gang end up getting lost somewhere in Northern France along the Normandy coast and camp at a nearby beach for the night. Linus appears to be haunted by the spot they are camping in and wakes up shortly before daybreak. He walked along the beach and realizes from the landscape and the ruins of several fortifications, and his imagining of the battle itself, that they are at Omaha Beach. He then informs the others as they wake up. 


Linus imagining the metal obstacles used for the Atlantic Wall
and realizing that he is standing on Omaha Beach.


Linus then tells the story of the battle of D-Day, showing them the sites, including the German pillboxes, the remains of the artificial port built by the Allies to land supplies and soldiers, and La Pointe du Hoc, where Marcie reads, then translates a nearby marker at the memorial site.


From there, Linus leads the group to the nearby Normandy American Cemetery and Memorial for all of the American soldiers. The voice of U.S. General Dwight D. Eisenhower is also heard reminiscing about the experiences of the battle.


Linus showing the gang the battle-scarred German artillery
casemates along Omaha Beach.
Marcie reading a memorial marker at La Pointe du Hoc
where U.S. Army Rangers scaled the cliff to take the shore
guns from German forces during D-Day.
ICI des combattants demeurent, la bataille dans son choos
les a unis pour L'ETERNITE.

HERE remain combatants, the battle in its chaos has
united them for ETERNITY.
The gang walk among the crosses and monuments at the
Normandy American Cemetery and Memorial where thousands
of U.S. soldiers who died during the invasion are buried.


The tribute includes some really outstanding (for their time) animated images of the battle imposed over actual newsreel footage of the actual battle itself
-- in some cases with the characters inserted through rotoscoping -- as Linus continues to tell the story of the Normandy invasion.




Leaving Normandy behind, the gang proceeding north and arrive near Ypres, Belgium, which Linus recognized as the site of a series of major battles during the First World War. They pull over near a field of red poppies with white crosses, which grew throughout the wastelands of battles fought during the war.

They arrive at the John McCrae Memorial Site and the gang walk among the large bomb craters and trenches still visible at the site of the British field dressing station.
Looking at the fields of red and white poppies, Linus then recites the haunting poem: In Flanders Fields written on the site in 1915 by Canadian Lieutenant Colonel John McCrae (1872-1918).

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the dead, short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from falling hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flander's fields.


Today, the red poppy flower is a widely recognized symbol today by the Armed Forces communities of many North American and European countries of remembrance for military personnel who died during war, and as a symbol of hope for a peaceful future.

Next we see the gang walking among the World War I veterans graves at the nearby Essex Farm Cemetery, which is also overgrown with poppies.


The gang walking among the site of the field hospital
where Canadian poet, Lieutenant Colonel John McCrae
wrote his most famous poem: In Flanders Fields during the
Second Battle of Ypres in 1915. The nearby Essex Farm
Cemetery monument can be seen in the background.


In a really moving scene, the group comes away realizing what the human impact of the wars were, and how important the sacrifice of the soldiers truly was in shaping the world we live in today. Standing among the field of red poppies, Linus then turns and asks, "What have we learned, Charlie Brown?"

The scene flashes back to our favorite wishy-washy kid and Sally, who tells Charlie Brown that he is pasting the pictures upside down -- one last bit of comic relief in what ended up being a pretty deep and moving tribute to the fallen of war.

What Have We Learned, Charlie Brown?
would go on to win a Peabody Award for "distinguished achievement and meritorious public service" in broadcasting. It also remains one of this bloggers top ten favorite Peanuts animated stories of all time -- certainly in the top five overall, largely because of the outstanding way the story of D-Day and the reading of In Flanders Fields was presented by the animators and told by Linus throughout the special.

Its truly a tribute to remember.


In closing I will leave y'all with the following classic Peanuts comics honoring D-Day and those who fought to liberate Europe during World War II. 



Never Forget!