The South Carolina African-American History Monument on the State Capitol grounds. |
Built in 2001 by sculptor Ed Dwight of Denver, Colorado, the South Carolina African-American History Monument is probably one of the first of its kind on any capitol grounds in the United States.
The monument is located on the eastern side of the South Carolina Statehouse grounds and was dedicated on March 29, 2001.
The round monument is modeled after an African village and designed in several parts, including: a center Egyptian obelisk that represents spirituality, a granite marker that depicts the original homelands of enslaved Africans, a bronze slave ship icon, and a two-part wall that depicts nearly 400 years of black history and their contributions to our shared Southern heritage of South Carolina from slavery in the mid-1600s to the fight for freedom, the
struggle for civil rights and emergence into mainstream America into the 20th and the 21st century.
The following are photos taken by this blogger of this outstanding monument, along with details about what is represented by each image.
This granite monument traces African-American history
from the Middle Passage. At the base are four rubbing stones from Senegal, Sierra Leone, Ghana, and the Congo, where most of the slaves were captured by other black tribes and sold to white European slave traders from Northern and Western Europe who brought them to the Americas between 1500 till as late as 1880 (illegally) in Brazil, the last country in the Western Hemisphere to continue African slavery. |
Here is shown the places most South Carolinians of African descent came from as their ancestors were captured and then taken via the Atlantic Slave Trade to Charleston, SC. |
The next two panels represent the slave experiences in South Carolina. The four slaves depicted are: a female rice planter, a male pickerholding a basket of cotton, an indigo worker, and a skilled carpenter. The panel next to it depicts resistance as these slaves plan to escape, possibly via the Underground Railroad to black communities like Birchtown, Nova Scotia, Canada founded by former Black British Loyalists after the American Revolutionary War. |
The next two panels represent at least one telling of the War Between The States and Emancipation. One panel is a depiction of the 1st South Carolina Volunteers (later re-designated the 33rd United States Colored Infantry Regiment), a regiment of Union soldiers made up of former slaves from the South Carolina lowlands and Georgia coast. The last panel depicts slaves rejoicing over Lincoln's Emancipation Proclamation and subsequent liberation following the end of the War in 1865. This scene probably depicts the reaction to the reading of the proclamation at the Smith Plantation near Beaufort, SC in January 1863. |
On a special note, this bronze marker is the only monument dedicated to Union soldiers on the South Carolina Capitol grounds, aside from bronze stars on the western side of the Statehouse point out where Union cannonballs hit the building and a broken statue of George Washington damaged by white Union soldiers during General W.T. Sherman's invasion in February 1865. A 36-Star Union banner is placed at the site during yearly Confederate Memorial Day services in May by members of the South Carolina Division Sons of Confederate Veterans out of respect to the memory of these Southern-born Unionists. |
The next two panels on the Right Wall of the memorial depict the US government's efforts to allegedly equalize the statue of freed slaves with the passage of the 14th and 15th Amendments to the US Constitution. The African-American legislator depicted -- a possible representation of Robert Smalls, a well known South Carolina Unionist and Reconstruction Era politician. The panel next to that one depicts Jim Crow, Black Codes, and other restrictive laws passed in South Carolina to prevent freed Black South Carolinians from being more than sharecroppers and restricting their ability to vote. |
The next two panels show the events immediately following the end of Reconstruction in South Carolina and the passing of restrictive Jim Crow segregation laws. The first panel depicts the Great Exodus of Black Southerners to the North (which also ironically had its own established white supremacist codes and terror groups, though not nearly as visible as Jim Crow). This was one of the largest mass migrations in American history. The next panel depicts the 1954 US Supreme Court case Brown v. the Board of Education and the historic decision integrating public schools. This case originated in Clarendon, SC with the Briggs v. Elliott lawsuit. |
Anyone taking a trip to Columbia should stop at the Statehouse and check this monument out. It is well worth the time to look at and ponder the history behind it. Also be sure to check out the other monuments on the grounds depicting the outstanding history of the great State of South Carolina.
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