Showing posts with label Classic TV Series. Show all posts
Showing posts with label Classic TV Series. Show all posts

Friday, February 14, 2025

Southern Fried Nostalgia & Fandom: Hey Arnold! -- Arnold's Valentine (1997) TV Special Review

 

Arnold's Valentine is the 25th episode of the 1st season of Nickelodeon's Hey Arnold! animated television series. The episode was written by series writers Rachel Lipman (who wrote many first season episodes) and late writer and series co-developer Steven Viksten (1960-2014) and directed by Jamie Mitchell. The episode premiered on Nickelodeon on Wednesday, February 12, 1997 and again on Friday, February 14th, 1997 -- St. Valentine's Day at 8:00 p.m. EST. Run time of 24 minutes.

The special episode is the second holiday episode of season one following Arnold's Christmas (Season 1, Episode 20), Arnold's Valentine also serves as the culmination of the season one story arc concerning the title character's season-long unrequited crush on a 6th grade girl named Ruth which began in the episode Operation Ruthless (Season 1, Episode 7a) -- the latter episode also having been written by Viksten and Lipman respectively.

This episode holds some special significance for yours truly that I discussed in a previous blog post.

It aired on the same day I graduated from U.S. Navy boot camp -- Friday, February 14, 1997. At the time I was in a hotel room with another graduate and my Grandmother Carolyn (God rest her soul!), who'd made the bus trip from South Carolina to Great Lakes, Illinois to see me graduate and visit for the weekend.

While I was visiting and eating Pepperoni and mushroom pizza and drinking Dr. Pepper (the first real junk food I'd had in about 9 weeks!) the episode came on television replayed from two days before when it premiered on Nickelodeon and I found myself totally immersed in it while my grandmother and shipmate were talking about his family.

Now, as I mentioned in a previous blog post, I'd begun watching Hey Arnold! casually when the first season began, but didn't really have time to get into the series too deeply before shipping off to Great Lakes in December of 1996 -- three months after the first season began. When I saw it again upon graduation, the first episode I'd seen was Arnold's Valentine, and I was taken with the story elements of the episode. 

It's also probably my second all-time favorite Valentine's Day story in animation behind Be My Valentine, Charlie Brown (1975) from childhood -- which I will probably do a nostalgic review of at some point down the road.

I watch the episode as a yearly tradition on, or close to, Valentine's Day. Yep, just me sitting in my living room chair in my pajamas and a bowl of popcorn in front of the television....also pretty much my normal February 14th tradition, alas. 

Anyhow, without further ado, let's get this nostalgic review started.




The Story

The episode beings on St. Valentine's Day (February 14th) at P.S. 118 where our two main protagonists, Arnold and Helga are both admiring their mutual crushes from afar: Arnold smiling as 6th grader Ruth McDougal passed in the hallway -- and still completely oblivious to the fact he even exists; and Helga smiling from her desk as Arnold walks past her entering the 4th grade classroom.

The students are assigned by their teacher, Miss Slovak (voiced by the talented Miss Tress MacNeille), to make Valentine cards for someone that's important or special to them. Helga tries to make one for Arnold, but her wording never seems to come out right and becomes more and more hostile due to her insecurities (example: Arnold, be my Valentine, or I'll pound you!) until finally she becomes discouraged by the whole thing.

How about "Be My Valentine, Football-head!"


Arnold meanwhile crafted a beautifully made Valentine card on which he invites Ruth to dinner at Chez Pierre, a really fancy downtown French restaurant. His best friend, Gerald, claims that Arnold has some guts....only for Arnold to sign the card "Anonymous" and second-guess himself. Helga overhears the conversation between the two and grumbles annoyed to herself over how superficial Ruth is -- and mostly the fact she's a sixth grader. 

Arnold seems to have a weakness for older girls and women; a point that continues to crop up a few more times throughout the run of the series.


Miss Slovak then starts handing out postcards from the students' pen-pals, including a sad little postcard from Helga's pen-pal begging for money. When she laments that she never gets fancy gifts from her pen-pal (unlike Rhonda who got gourmet chocolates from her Italian pen-pal), Miss Slovak offers some words of wisdom to Helga, "Sometimes the most beautiful gift can come in the plainest box." Remember this line because this is important later on.

Before she can next give Arnold a letter from his French pen-pal, a girl named Cecile, the bell rings for recess. In the fact she was about to hand it out to Arnold, who was ready to take it, Miss Slovak returns the letter to the bag to finish giving them out after recess -- this detail (despite making no sense at all) will shortly be important in moving the plot forward.

At recess, Arnold practices some slick ninja skills as he slips his card for Ruth in with her other Valentine cards when she's not paying attention. When she picks it up and reads it, she apparently does show some genuine interest.

A simple hello might have been just as good, Arnold.


Meanwhile, Helga gets an idea on how she can express her feelings to Arnold. She sneaks back into the classroom and takes out Cecile's letter for Arnold, adding a P.S. saying that she is flying into town for one night and wants to meet him at another French restaurant, Chez Paris, tonight. She tells him to please come alone and don't make any other plans.

Later that afternoon when school lets out, Arnold is reading the letter
and he becomes worried as to how he's supposed to go on two dates at the same time. The two of them walk to the restaurants, which just happen to be right next to each other.

Gerald suggests that he should simply get a table at both places and if Ruth didn't show up (which Gerald was pretty sure wouldn't happen) then Arnold would be okay, but if she somehow did, then Arnold could make up some excuse to go across to the other restaurant. Arnold -- probably out of desperation and seeing no other way out -- agrees to this plan.

In the next scene between Gerald and Arnold as they are walking to the Sunset Arms Boarding House, Gerald asks his best friend what he knows about Ruth when Arnold asks what he should even say to her. When Arnold is forced to admit that he really doesn't know much about her, just that he likes her for a bunch of superficial reasons, Gerald laments that this is going to be harder than he thought.

Throughout the whole of season one of Hey Arnold! our football-headed protagonist has never once actually spoken to, or had any personal interaction with Ruth, other than seeing her seemingly smiling at him as they crossed paths with her wide, brace-faced smile on a few occasions. His crush on Ruth is based solely on what he sees as his idolized version of a lovely girl....or rather as much attraction as a 9-year-old can have with an 11-year-old.

On a personal note, at age nine, I was more obsessed with the original G-1 Transformers cartoon television series, 80s slasher horror films, and professional wrestling personalities. I wouldn't start noticing the opposite sex for at least four more years.

The writers for Hey Arnold! tended to treat their 4th grade characters more like young adults on occasions depending on the circumstances, sometimes contrasting the fact most of the children in the series were more seemingly mature than the adults around them behaved at times. This would also explain how, later in the episode, these 9 to 11-year-old kids can reserve tables at fancy French restaurants and be out late at night with no adult supervision -- in a major American city no less!

Meanwhile, Helga prepares for her own date with Arnold by rushing home and raiding her older sister's room for tapes on learning to speak French -- which she copies rather badly. She also seeks out and finds the most French-looking outfit from her sister's closet to alter. Later she goes to a salon to get her hair done in some French style -- not realizing that the salon was actually meant for dogs and getting her pigtails done up in a French poodle style and making her look totally ridiculous but certainly not like she usually looks so mission accomplished.

Back in Arnold's room Gerald attempts to coach Arnold on his date, to apparent success as Arnold delivers a small speech to give to Ruth to say how much he likes her and wanted her to know it. It even moves Gerald to tears a little. Then Arnold gets dressed up in his tuxedo and Gerald volunteers to sit at a bench between both restaurants to serve as lookout in case Ruth arrives.

Back at the Pataki household, Helga gets ready for her catfish date with Arnold, dressing up and delivering a monologue about finally getting Arnold out of the clutches of "that sixth grade yo-yo" and being able to express her true feelings for Arnold with no risk since she will be in disguise.

Then Helga ends this monologue with the bold remark, "Nothing can go wrong now." -- a dreaded phrase that's pretty much the equivalent of saying, "I'll be right back" in a slasher film, meaning she's inviting some negative karma on her well laid plan.

In the next brief scene we see a plane coming in for a landing with the real Cecile and her parents flying into the city from France, to make a surprise visit to see Arnold that very same day....uh oh.

Thus ending the first half of the episode.

The second half of the episode finds Arnold at Chez Paris sitting at a candlelit table near a large window waiting for his first date. Gerald is sitting on a bench outside between both restaurants pretending to read a paper, and gives Arnold a thumbs-up that Arnold returns.

Helga arrives as "Cecile" in her "frou-frou" hairdo, red high-heels, and the most French-looking outfit she could find in her sister's wardrobe, that she apparently altered enough to show off her....uh, curves? 

Yeah, I never understood how a nine-year-old somehow has
feminine curves. It didn't make sense the first time I saw it either.


After slipping in her heels and needing help from Arnold, the latter remarks that she didn't look much like her photograph, which he holds out showing the actual Cecile. Helga promptly takes it from him and rips it up muttering something about a mix-up. Arnold also notices that her French accent is more American, to which she acts like its a complement.

It was then that Arnold says, "There's just something about you. I feel like I know you already." Helga begins to panic until Arnold adds the he meant from Cecile's letters.

How Arnold can't tell that this girl is full of it, and more so that she's Helga is the comedy gold of the whole scene. I just assume that its the fact her hairstyle now covers her left eye giving here Clark Kent-level disguise powers....that or our Football-head hero is just really dense. Or both?

Arnold asks her about her life in France curiously, causing Helga to go on about Paris being quite a city. This confuses Arnold who mentioned she lived on a farm in the Loire Valley.

Yeah Helga, you probably should have read the rest of the letter and did a bit more background research before committing identity theft.

Helga deflects from this mistake asking about Arnold and what his school is like. Before he can go into details, a very snooty waiter named Jacques appears to take their order. Arnold just asks for a hamburger, which causes both the waiter and everyone else in the fancy French restaurant to gasp and look his way like he just farted in church.

Mr Snooty Waiter tells Arnold (in what I'm pretty sure is a fake French accent that he probably drops the moment he gets back to his apartment after work) that, "Chez Paris does not serve, le-amburger." He recommends the Steak Tartare, which Arnold accepts. When he attempts to add to that, the waiter just looks at him and says, "You are finished with your order." What a dick!

When Helga orders, she just finds the most French-sounding thing on the menu. Mr. Snooty Waiter complements Helga on her refined taste before departing. When Arnold asks what she ordered, she only deflects saying that she didn't know how to say it in English and that they have it all the time back home in France.

Well, at least she did not order the first one!

As Helga begins to talk to Arnold -- about the shape of his head of all things -- Ruth appears at the window outside next to Chez Pierre next door and Arnold goes all foggy and the Jazz music plays in his mind. He promptly excuses himself awkwardly to go to the restroom and leaves to go greet Ruth.

After an entire season of never actually interacting, Arnold finally, FINALLY, gets to talk to Ruth directly. 

Ruth McDougal is voiced by the talented Lacey Chabert, who is best remembered as the voice of Eliza Thornberry in Nickelodeon's The Wild Thornberrys animated series
and the original voice for Meg Griffin in the first season of Family Guy. This is also the only time in the entire series where Ruth actually has a speaking role, rather than serving as a background character.

For her part Ruth seems to barely care about Arnold's presence as she asks about reservations with "Mr. A-non-y-mos." Yes, that's how she pronounces it, even having to look at the Valentine card to remember the name. Yeesh.

She needs to actually look at the Valentine to remember
"Anonymous"? Dude, that should be red flag number one!


Arnold escorts her to an outside table and asks if she wants anything. After saying she'll have a soda. Gerald -- still sitting nearby -- whispers to Arnold reminding him of his other date. He excuses himself to go back to Chez Paris. Once he leaves a busboy comes over and asks Ruth if she wants anything to drink, to which Ruth replies somewhat confused, "I just gave my order to that other busboy."

Oh crap.

Meanwhile, back at their table inside the other restaurant, Helga is practicing trying to tell Arnold that she loves him, but has as much luck saying it to herself as she did earlier trying to write it on her Valentine Day card.

Arnold returns, making an excuse about the line at the bathroom. Helga decides to go right for the throat, asking him if there's any girl he likes at his school. Arnold considers the question and then he kinda mentions Helga, who he says kinda bugs him sometimes. Not really the answer she was looking for and Helga almost blows her cover when Arnold tries to explain what "bugs" means.

I hope neither of them left this jerk a tip!

Fortunately their food arrives, sparing Helga from another failed attempt to confess her feelings for him. She promptly digs in enjoying her pink-looking mushy food, that is until Mr. Snooty Waiter comments that not many of their younger customers appreciates "le-cow brains and eggs" -- which is probably the closest thing Chez Paris has to "le-amburger." Upon hearing that Helga gets up quickly and runs to the bathroom to barf, causing her hair to come undone for some reason.




Arnold uses this unexpected opportunity to rush back to Chez Pierre and Ruth, who said that she already got a soda from the other busboy. Arnold realizes she mistook him for a waiter and then sits down and starts to explain, asking if she wonders who Anonymous was. Ruth replies, somewhat annoyed that everyone knew who Anonymous was, that he was some sort of famous poet that they read about in class.

Yeah, you get the idea right then that this girl is a complete airhead and she's a few pounds light. However, despite this, Arnold suggests they talk a bit and get acquainted. Ruth responds indifferent, saying okay but once Anonymous shows up, he'll have to go. Ouch.

We cut back to Helga briefly, who is walking back to their table. Dress and shirt wrinkled and no longer showing off those impossible curves, and hair now loose -- though her Clark Kent-level bangs are still covering her left eye. Once back she realizes she's alone and stands getting ready to leave disappointed, thinking Arnold had abandoned her.

Then we cut back to Arnold, who looks completely bored and disappointed as Ruth, his crush, the sixth-grader that he admired for afar for a whole season goes on-and-on about herself and superficial things like how some other girl copied her hairstyle. Gerald nearby waves him over pointing to the window where Helga is standing up and getting ready to leave. Arnold quickly excuses himself from Ruth -- who is still babbling -- and rushes back to Helga before she can leave.


What happens next is probably one of the more touching scenes of the whole episode and why I personally love Hey Arnold! as a series.

Arnold sits at the table and opens up to Helga, telling her about how he thought he liked this one girl, but found out when he got to know her that the two of them had nothing in common. Helga responds sincerely that maybe she wasn't the girl for him, that the one for him might be someone he didn't expect. She then repeats the same line that Miss Slovak told her earlier in the episode: "After all the most beautiful gift can come in the plainest box."

You really feel in this scene that Helga was being open and honest when speaking to Arnold.
She no longer tries to put in that fake-sounding French accent and just speaks to him in a soft, sincere way. Even her disguise falling apart with her long blonde hair now loose and hanging over one eye feels more natural somehow -- a nice touch there.

Arnold accepts that maybe she is right and then confesses to Helga that he was really glad she came and that he's having a really good time with her.
This surprises Helga who responds that she feels the same, then actually manages to say that she really likes Arnold and then asks if he likes her back.

There's a long moment where Arnold looks down at their hands, which are close to each other on the small table, just inches apart. Arnold starts to reach for it, but then remembers that he has to deal with his other date -- if only to explain things and say goodbye to his now former crush -- and excuses himself one last time to take care of it. He briefly touches her hand before departing, leaving Helga smiling as she leans on the table.

The entire scene is beautifully done with the pair sitting between a candle-lit table and a guy playing a violin in the background. T
he music for the scene is just absolutely amazing all thanks to series composer Jim Lang's amazing romantic score. Both Arnold and Helga's young voice actors (Lane Toran and Francesca Smith -- who were both 13 and 11 respectively when they played the roles) do an absolutely wonderful job conveying the emotions of both characters in this scene.

"Say, did you do something different with your hair?"

Ruth meanwhile found herself getting closer with the busboy at Chez Pierre who also happens to like the same superficial things she enjoys: chewing gum, bread sticks and Ruth's hair -- truly the greatest foundation for forming a new relationship if there ever was one.

Arnold returns, only for Ruth to inform him that they were about to leave together, and he can go ahead and clear the plates. Dude....really?!
Arnold is clearly not old enough to be a busboy.

Also, I'm pretty sure if that busboy is actually old enough to get employment at a restaurant, then he's way too old to be going out with a 6th grader. Again Ruth clearly isn't the sharpest knife in the draw.

She's all yours, buddy.

Its about this time that Helga looks out the window and sees Arnold talking to Ruth, and is understandably upset. She takes off those ankle-spraining high heels and stops out of Chez Paris and demands to know what's going on. She slams her heels on the ground to emphasis that yeah, she's pissed off.

Arnold tries to explain, but Helga cuts him off with a finger to his nose, saying, "If there's one thing I can't stand its someone not being completely honest about who they are!"

Right on cue, a French-accented voice behind Helga asks for Arnold, saying she was Cecile -- leading to shock on Helga's part and confusion on Arnold's. Miss Hypocrite begins to babble and Cecile asks Arnold what is going on....yeah, like he's got a clue.


Surprise Arnold, the real Cecile has arrived. Gerald....help!

Thankfully, Gerald makes his presence known and comes to the rescue, saying that he's Arnold and offers to take Cecile to a local hamburger joint down the street -- which Cecile happily accepts.

You see, Mr. Snooty Waiter, she's French and she likes "le-amburger" you stuck-up prick!


Gerald and Cecile walk away arm-in-arm leaving two very awkward kids standing there on the cobblestones. Helga remarks that its been a crazy night, which Arnold agrees with. She bends to pick up her shoes, only to have Arnold pick up the other one and look at it before asking, "There's one thing I still don't understand, who are you?"

The fake Cecile finally responds that she can't tell him, but doesn't give an excuse why. Arnold accepts this and then asks, "Will I ever see you again?" At this Helga smiles and says, "Oh, probably."

Arnold takes her hand and tells her this has been the best Valentine's Day he's ever had. Helga agrees and then says she has to go. Then, in a line right out of 
the 1942 film Casablanca, Arnold says, "Well, we'll always have Chez Paris" before smoothly kissing her hand. Helga lets out a small, loving sigh and says, "Au revoir, Arnold."

"Later football-head....er, I mean, Au revoir, Arnold."

This is an another touching scene between these two characters.

Certainly Arnold is curious about who his mysterious dinner date actually is. It was established in an earlier episode of the series The Little Pink Book (Season 1, Episode 6a) that Arnold has a secret admirer with a major crush on him. Even as dense as Arnold is he has to know this must be the same girl who wrote those mushy poems about him.

Yet, rather than pry any further, Arnold chooses to respect her privacy and allows her to say goodbye with her secret intact. This shows a great deal of class on Arnold's part.

Helga in turn also seems to forgive Arnold for his own deception in seeing Ruth behind her back on their date. She does so, not just because she'd also been deceiving him; but because, in spite of everything, Arnold still holds her heart and she simply cannot stay mad at him for long.

The fact that the two of them actually enjoyed each other's company in spite of everything was also a good thing. Helga's "au revoir" (French for goodbye till next time) is her way of confirming to him that yes, he will see her again....next day in class, duh!

As Helga walks away holding onto one of her red shoes, she wonders if it was her that Arnold liked, or the her she acted like when she was pretending to be Cecile -- which by the way is a good question, but one that won't be answered for some time in the series.

The final scene shows Arnold walking home and standing at the top of the stairs in front of the open doorway holding Helga's other shoe and looking up at the night sky overhead wondering who his secret admirer actually was as the ending credits begin.


I wonder who she was? Also, that waiter was such a dick!

My Thoughts

Arnold's Valentine is a great special holiday episode of the series, and certainly one of my favorites in terms of the story arc regarding the relationship between the two main protagonists, Arnold and Helga.

For many fans who enjoy the relationship arc, this episode is really one of the first indications -- if only subtly -- that Helga's feelings for Arnold run deeper than just some crush, and that Arnold might actually like Helga back romantically.

In point of fact, the creator of the show, Craig Bartlett, has stated in interviews with fans that Arnold and Helga are in fact soulmates.


There would be other moments between these two in scenes throughout the next four seasons of the series that would build on this and expand on the nature of why Helga loves Arnold in the first place. Seasons four and five have some especially great moments between the two characters.

The build up and the story arc itself is done very well for a series that is allegedly developed for kids and written so beautifully that people into their early adulthood can get into the story.

In fact, the emotional investment in this romantic story arc has inspired a large number of fanfiction stories and fan artwork on over a hundred fan sites throughout the decades, and continues to do so today in spite of the series having long since ended. Not just from teenagers, but also from people in their 20s and even 30s who enjoyed this cult classic animated series -- myself included.

It would take an entire series of five seasons and two movies (the second of which made about 20 years after the series actually premiered in fact!) before the Hey Arnold! fandom would finally get a definitive answer to the question: Do Arnold and Helga end up together?

Spoiler alert: Yes they do!

Anyhow I hope y'all enjoyed my Southern Fried Nostalgic & Fandom review of this special Valentine's Day episode. Please let me know in the comments below if you've seen it and what you thought of my review of this great holiday episode.

Monday, March 07, 2022

Happy 30th Birthday Sailor Moon!


On this day 30 years ago on March 7, 1992, the superheroine anime series Sailor Moon debuted on TV Asahi in Japan.

The original run of the show, known in Japan as Pretty Soldier Sailor Moon -- later as Pretty Guardian Sailor Moon -- was produced by
Toei Animation and was based on the outstanding manga series of the same name written by Naoko Takeuchi published from 1991 to 1997 in Nakayoshi.

The anime series was first aired in Japan on Saturday, March 7, 1992
with the first episode "The Crybaby: Usagi’s Beautiful Transformation" and would run until Saturday, February 8, 1997. Later the series would be dubbed into various territories around the world, including the United States where it would become intensely popular among animation fans at the time.

The English dubbing of Sailor Moon was first done by
DIC Productions, L.P. (now Wildbrain) and the series premiered in Canada on August 28, 1995 on YTV and in first-run syndication in the United States on September 11th of the same year with the title of the first episode being renamed "A Moon Star Is Born".

Despite being cancelled after the first two seasons and being put in lousy time slots, thanks to a fan petition the English dub of the series would continue production and later go on to appear on the USA Network in 1997, and then later on Cartoon Network's weekly anime block Toonami in the late 90s and early 2000s -- fondly remembered by many anime fans today as the golden years of Toonami


The story of Sailor Moon is fairly simple. A 14-year-old underachieving young schoolgirl named Usagi Tsukino (Serena in the English dub) meets a magical talking cat named Luna. Luna gives Usagi  a magic wand and the ability to transform into her magical alter ego, Sailor Moon. Usagi is then tasked with locating the moon princess and battling the evil forces of the Dark Kingdom (the Negaverse in the English dub).

When Usagi transforms for the first time into her magical sailor suit with Luna's help, she overreacts and then reluctantly accepts her fate, not sure what has happened to her. At the time she does not know the enemies she will face, the friends she will make, or the experiences ahead of  her. All this despite the fact that she's a somewhat lazy underachiever, and more than just a bit clumsy at times.

As she moves forward in the series, she accepts her fate, finds allies with a core friend group of other girls with similar magical abilities, discovers true love with a dashing and mysterious male ally, and realizes the importance of fighting evil and defending the innocent -- all the while maintaining her charming (and admittingly annoying at times) young teenage demeanor.

All of this is a lot of pressure for a high school girl, obviously. This is made much more so as time goes on and she discovers the truth about her ultimate destiny (sorry no spoilers!). All the same the times when Usagi steps up and gets serious as Sailor Moon shows her growing into her role as defender of the Earth.

The series itself was largely brought over to the U.S. to capitalize on the success of shows like the widely popular Mighty Morphin Power Rangers TV series.

In a way, Sailor Moon ran pretty much along the same basic superhero formula as Power Rangers: the bad guy sends a monster, Sailor Moon and her Sailor Scouts face it, do their power moves on said monster of the day, and then Sailor Moon uses her finishing move and vanquishes the creature; all the while dealing with some everyday teenage crisis which usually involves someone's relationship issues -- hey these are teenage girls we're talking about here.

Yet the story arcs are done so well that the series hooks you and then you find yourself waiting to see what happens next and how Sailor Moon and her friends are going to overcome their adversaries. The series -- particularly the first three seasons -- are charming and written very well.

Though the series is largely targeted towards female audiences, it does have a major following among male audiences as well -- your favorite blogger included.

So, is it weird for a guy to like a series targeted for girls? Well, even as a boy in the 80s I -- like many other boys of that generation who will admit to it -- watched cartoon shows like She-Ra: Princess of Power (largely due to the connection to He-Man: And the Masters of the Universe) on Saturday mornings.

The cartoons we watched as Gen-X kids in the 80s and early 90s were largely interchangeable with boys and girls enjoying a wide selection of shows regardless of how they were marketed. I've known just as many girls at that age who idolized Lady Jaye and Scarlett on G.I. Joe: A Real American Hero and just as many boys who knew all the characters on Strawberry Shortcake TV specials. As for me, I'll freely admit to jamming to all the Jem and the Holograms songs from time to time. 

Today as an anime fan (and a currently 45 year old pseudo-adult) I'll admit that a younger 19 year old version of yours truly first got hooked onto this series in the summer of 1996 during a boring summer following my first job after high school. I would come home from work and unwind in front of the television in time to see an episode of Sailor Moon in the late afternoon time slot when nothing else was worth watching other than talk shows, and became interested in what happened next. So much so that, when my work schedule changed, I set my VCR to record the episodes so I could watch them later.

Even though the series is pretty light-hearted, I admit that a couple of scenes in a few episodes hit me in the feels too. One death scene in particular in the season one episode:
"Naru's Tears: Nephrite Dies for Love" ("A Friend in Wolf's Clothing" in the English dub) where one of Sailor Moon's antagonists, Nephrite, sacrifices himself to save one of Usagi's friends, Naru, and passes away in her arms after apologizing to her. Many fans of the series site that moment as one of the saddest of the series.

Naturally, as this show turned into probably my formal gateway into anime (actually Mobile Suit Gundam was my first official anime series, though I never got into it very deeply) other series eventually took over as favorites of mine, especially once I began watching late-nite Cartoon Network's Toonami block in the late 90s. Other shows like the ever-popular Pokemon series would eventually bring Japanese animation fully into the American mainstream.

All the same, Sailor Moon will always be remembered fondly by me and many other devoted anime fans as the one series that led us down the deep rabbit hole of Japanese animation.

Happy 30th Birthday, Sailor Moon -- Thank you for all the memories!

"Fighting evil by moonlight, winning love by daylight,
never running from a real fight -- she is the one named
Sailor Moon."

Image courtesy of Toei Animation, Japan.

Friday, October 30, 2020

Southern Fried Nostalgia & Fandom: Arnold's Halloween (1997) TV Special Review



Halloween is my absolute favorite holiday out of the entire year. The one time of the year when you can cosplay as one of your favorite movie monsters, or as anything else spooky, without anyone looking at you strangely....or at least more so than usual. 
 
One of my favorite Halloween specials is the holiday episode of Nickelodeon's Hey Arnold! cartoon series, Arnold's Halloween (Season 2, Episode 7) which premiered on Monday, October 27, 1997.

The episode is the 31st episode of the 100 episode series, which ran from 1996 - 2004.
Written by Hey Arnold! series writers Joseph Purdy, Antoinette Stella, and series creator Craig Bartlett, and directed by Jamie Mitchell, this 23 minute-long Halloween special is wonderfully crafted adventure that should be a must-see for any holiday special enthusiast.

I'm a huge fan of this show, but that alone isn't the reason I rank this particular holiday episode among my favorites, second only to the 1966 holiday classic It's The Great Pumpkin, Charlie Brown, which will always hold the top spot in my heart because I grew up with Peanuts, and I'll never fail to laugh whenever I watch Snoopy as the World War I flying ace fighting the Red Baron.   

Arnold's Halloween is a brilliantly written parody inspired by one of America's most surreal historical events, and one of my personal favorite historical oddities: the widespread panic caused by
Orson Welles' radio play broadcast of H.G. Wells' 1898 novel
War of the Worlds on Sunday, October 30, 1938 where thousands of people tuning in late to the radio play was convinced by the live production that they were listening to an actual Martian invasion.


On Halloween weekend in 1938, Orson Welles radio play adaptation of H.G. Wells'
science fiction novel The War of the Worlds caused widespread panic from people who
did not initially realize it was a radio drama.

(Image courtesy of the Associated Press)

In actuality, most of the so-called "panic" caused by the broadcast consisted largely of people calling in and overloading telephone switchboards in an effort to find out what was really happening. Some believing the broadcast and thinking that Earth was in fact being invaded by aliens from Mars, while others believed that Nazi Germany was launching an preemptive attack on the United States. Some people did in fact barricade themselves in, or leave their homes in the New York and New Jersey areas near the small town of Grovers Mill
in an attempt to try to flee danger.

The next day newspapers across the country -- many of them attempting to demonize the competing radio broadcast industry -- exaggerated accounts of people committing suicide by the thousands (no evidence exists that anyone actually killed themselves over the broadcast). For at least two hours on that October night in 1938, thousands (if not tens of thousands) of Americans were panicked by the broadcast in one way or another.

The Landing Site Monument in Grovers Mill,
New Jersey, USA.

This became one of the first major examples of mass hysteria caused by media in modern times. Several movies and television shows have spoofed the 1938 Halloween broadcast of The War of the Worlds -- probably the best example being the 1990 science-fiction comedy film Spaced Invaders about five hapless Martians who think their space navy was invading Earth after hearing a rebroadcast of the original Welles radio drama and cause havoc in a small, rural Midwestern American town on Halloween night.

The small community of Grovers Mill, New Jersey even has a so-called Landing Site Monument commemorating the 1938 incident. Its one of those interesting roadside attraction places to stop for UFO and paranormal enthusiasts similar to the Mothman Statue in Point Pleasant, West Virginia.

This holiday special episode of Hey Arnold! would not be the first episode of the series heavily inspired by an actual American historical incident, but it does rank as one of my personal favorites.



The Story


The story beings with Arnold and Gerald watching a television show about aliens when the adults (and I use the term loosely when describing the grown-ups in this series) show up and
won't let Arnold and Gerald join their Halloween party planning meeting because -- according to Arnold's Grandpa Phil (voiced by Dan Castellaneta) -- Halloween is the time of year to scare people and isn't for kids.

Arnold and Gerald watching a show about aliens begins this
Halloween drama.


While the grownups argue over what Halloween costumes to wear -- particularly boarders Ernie Potts and Mr. Hyunh
over who would play Frankenstein's monster -- the two boys hatch a brilliantly conceived plan for revenge. Their plan is inspired by an episode of the popular television show, UFO Tonight, about alien UFO conspiracies hosted by the Orson Welles-like Douglas Cain (voiced wonderfully by Maurice Lamarche) by planning to fake a radio broadcast of an alien invasion to prank them during the Halloween party.

On an interesting note, this would not be LaMarche's first time voicing an animated character role for a story based on the Orson Welles infamous Halloween broadcast.

Another interesting bit to 90s animation trivia: in the popular 90s Warner Bros. animated series, Animaniacs, Pinky and The Brain once again plot to take over the world in the episode The Battle For The Planet (Season 1, Episode 15) where The Brain (voiced by LaMarche) attempts to use television, rather than radio, as a medium to convince people that aliens are attacking -- to uh, less-than-convincing results.

Meanwhile a few blocks away, Helga's father, Big Bob Pataki (also voiced by LaMarche), is watching the same television show over a game of cards and relating to his friends the story of his own alleged UFO encounter -- to the annoyance of Helga who sits silently nearby mimicking the whole story word for word (having no doubt heard it a hundred times before). Though Bob's friends, Harvey the mailman and Marty Green the butcher, are both skeptical of the story, it does inspire Helga to enact her own Halloween plans to have her friends all dress up as aliens to go trick-or-treating.

Overhearing her plans, Arnold invites his alien classmates to his house for the Halloween party, telling Gerald that it would be the perfect addition to their prank as Helga and the class would be their alien invasion -- and setting up what will later be part of a very long night for the kids. 

That night, hiding on the roof of the Sunset Arms while the adult's Halloween party is in full swing; Arnold and Gerald put their plans into motion. With the help of some really imaginative props for sound effects and
Gerald’s charismatic personality helping him pull off the reporter act (aided by a deep pitch filter through a phonograph), the boys are able to really scare the adults by putting on a "special bulletin" radio broadcast.

They are also aided in this endeavor by their friend, Stinky, who waits on radio standby to turn on the Christmas light-covered water tower sitting on the hill just outside the city and convert it into a glowing, menacing alien mothership at the right moment.

Showtime!

Meanwhile,
a TV operative who works for Cain's UFO Tonight series picks up the signal in a van, and reports back to
Cain. He also gets footage of the kids coming to the boarding house door, which is also broadcast by Cain.

Phil tries to dismiss it as a prank, but once Helga and crew arrive at the boarding house
(now dressed as aliens reminiscent of the Thalosians from the classic Star Trek: The Original Series pilot episode The Cage) all of the adults freak out in spectacular fashion. The boarders think they are real aliens and chase them with weapons. All of this is caught on camera and broadcast to a now terrified city thanks to Cain taking over the regular broadcast.

Aliens are among us!

When Stinky is then given the signal to cut on the water tower, this action would result in the city's power grid overloading and a city-wide blackout happening. This thankfully knocks off Cain's broadcast keeping it from going outside the city, but does nothing to help the situation locally.

T
he city, now already terrified by Cain's broadcast, goes into full panic mode seeing the "alien mothership" on the hills above.

The alien "mothership" glowing in the distance over the
now blacked out city causes major panic in the streets.


As the insanity ensues, Grandpa Phil is packing the Packard to leave town, when Arnold and Gerald arrive unaware of what is happening. The two explain their whole plan and Phil is both relieved and impressed with their prank. However, when Phil asks how they got Douglas Cain involved, Arnold and Gerald come to the
realization that their prank has spiraled way out of control and that someone could actually get hurt. Arnold asks what happened to their classmates.

Meanwhile, Helga and the gang are in real danger as a result with a panicked mob of adults chasing after them not believing they are actually kids out Trick-or-Treating. The fact that their grey face paint won't come off -- largely due to Harold,
who was tasked by Helga with buying makeup, purchased a long-lasting brand -- does not help matters either. 

Hey, you two have it backwards.
Its supposed to be the Monster that's chased by the crazed mob.

The kids are chased out of the city towards the glowing water tower, where they encounter Stinky who informs them of Arnold and Gerald's prank, which prompts a very loud, and very angry "ARNOLD!" from Helga.

Yep, she's pissed! Run Stinky!


Elsewhere, Bob calls up Harvey and Marty to join him, then gears up in battle gear to take on the aliens in his Hummer. This trio reminds me a bit of the comedic heroes in movies like the parody cult classic (and I use the term loosely) Attack of the Killer Tomatoes (1978).


The three encounter Principal Wartz, who is prepared to surrender to the aliens
with candies and they pull him into the Hummer, effectively kidnapping him into their group. Together they plan their own counterattack against the alleged alien mothership to fight for the human race. Cain and the UFO Tonight crew are headed in that direction as well.

On and interesting note, a similar incident actually happened during the infamous 1938 War of the Worlds broadcast where a group of drunk men actually took shots at a water tower near Grover's Mill, New Jersey believing it to be one of the Martian war machines trying to fight off the alleged alien invaders.

Meanwhile, Phil, Arnold and Gerald, try in vain to tell the people in the street that the whole think was a prank and hoax, but in their panic over the impending end of the world, the people don't listen to them. The group track the angry mob and the kids to the water tower, where Bob intercepts the "aliens" and attempts to strangle their leader -- his own daughter.

Arnold tries to reason with Bob, who is unsure and still panicked, and who gives the signal to Marty and Harvey to launch his surprise weapon, a bunch of beepers wired to explode (yeah folks, you actually read that correctly!) which blow a hole in the water tower and washing the paint off the kids proving they are not actually alien invaders.

Hello, Earth to Big Bob!


This realization, prompting Bob to hug Helga in relief, and the lights coming back on thanks to the work of Arnold's Grandma Gertie, ends the panic. As Cain, again live on the air, denounces the hoax; Bob, now completely
fed up with Cain's broadcasting, calls him "a big bag of wind" and tells everyone to go home.

As they all leave Arnold tells his grandpa he'll never do a prank like that again, but Phil tells him he's proud of Arnold's prank after listing all the mayhem it caused.

Look on the bright side, at least it beats sitting in a pumpkin
patch all night.


Also despite the fact that a city-wide panic was caused, as well as a few misdemeanors, the vandalism of city property, at least two federal felonies -- Wartz being kidnapped and the IED Bob and his crew made from the beepers -- and the fact that Douglas Cane committed air-wave piracy (another federal crime); there are no lasting consequences for anyone involved. Cartoon logic folks!

The story ends with the kids and adults singing the Trick-or-Treat song and Gertie cackling into the night as she wishes everyone a Happy Halloween.


My Thoughts

If you want to see this episode for some scares, you may be disappointed, as this isn’t meant to be a story to curdle your blood. There are no ghosts or monsters in this Halloween episode; no major jump scares, no gore, and no creepy encounters....unless you count Grandpa Phil handing out worms and cockroaches to horrified Trick-or-Treaters that is.

No thanks, I had meal-worms for lunch.
 

It doesn't need any of those things.
In Arnold's Halloween irrational fear is the scariest monster of them all. The confusion created by Arnold and Gerald's broadcast is plausible because something like it actually happened in real life. You'll also find some charm to Arnold’s and Gerald’s radio broadcast, as they clearly put a lot of work into preparing it, fueled by a determination to get back at the grown ups for condescending them. The reactions of the adults and their level of growing panic and how they deal with it is played for laughs, despite how serious the situation actually is.

Throughout the episode, beneath all the suspense, there’s still a trick or treat spirit throughout the episode, and you get that fun Halloween feeling from watching it.


Animation storyboard stills for Arnold's Halloween.
(Image courtesy of Nickelodeon)


This is a very enjoyable Halloween special, one that captures the spirit of the season while telling a funny plot based on a real life event. If you want a harmless spooky cartoon this month, then this special is one the whole family can enjoy, because it mainly plays things safe, with an emphasis on comedy more than horror, while at the same time works in keeping with the spirit of the holiday.

Happy Halloween, Y'all!